A troublesome time had the fashionable artist. He had to give all his
attention now to the question how his creditors could be evaded. For he
preferred evasion to payment. It never seems to have occurred to him
that the last was as efficacious a mode of silencing a dun's complaint
as keeping out of his way; while it was infinitely preferable to the
creditor. But either he had not the money by him at the right moment, or
he wanted it for some other purpose--to spend in punch, probably--for he
was now devoting himself steadily to the consumption of that deleterious
compound. He had become too idle now to work for more than the
necessities of the moment--to supply himself with pocket-money
sufficient for his immediate requirements. His argument was, that if he
could only postpone payment, he was quite justified in postponing work.
The main thing was to avoid, put off, and distance his duns. Curious
stories are told of his efforts and exploits in this respect. An old
engraver, one Roberts, purblind from incessant poring over
copper-plates, after repeated calls, finds at last his mercurial debtor
at home, and demands the settlement of his little bill for work done.
Sherwin is very civil and obliging, promises to settle forthwith the
account against him; then, taking base advantage of his creditor's
defective vision, he makes good his escape, leaving Roberts confronting
the lay-figure of the studio decked for the occasion with its
proprietor's coat and wig. Imagine the indignation of the creditor upon
the discovery of the imposture! Upon another occasion the artist,
splendidly attired--for he is engaged to dine at Sir Brook Boothby's--is
prisoned in his room, prevented from stirring forth by the fact that a
German tailor, a determined creditor who will take no denial, who will
listen to no more excuses, has sat down at the chamber door, to starve
the debtor into surrender. Time passes; there is no exit from the house
but through the studio, and there is posted the inexorable dun, who has
already waited five hours, who will wait five more--fifty more, if need
be--but he will see his debtor. And Mr. Sherwin has no money. What is he
to do?
Presently the siege is raised. Good-natured Lord Fitzwilliam enters,
appreciates the situation, produces his pocket-book, and satisfies the
tailor's demand. 'Here, Mr. Sherwin,' says his lordship to the relieved
and grateful engraver, 'here is a present for you. Your tailor's receipt
for making a fine gentleman!' And Mr. Sherwin is free at last to go to
his dinner-party with what appetite he may.
Public-domain text, read in full here on John Shaqi.
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