For fifty years he lived in Argyll Place, passing the greatest part of
that time in his studio--a small room not more than nine feet by twelve,
crowded with the conventional articles of _vertu_ that were then
considered to be the indispensable properties of a painter. His maiden
sister--'Northcote in petticoats,' she was often called, she was so like
him in face, figure, and manner--superintended his frugal household. Its
economy was simple enough. The brother and sister were of one opinion.
'Half the world died of over-feeding,' they said. They went into an
opposite extreme, and nearly starved themselves. When there was a cry in
the land about scarcity of food, they did not heed the panic; they were
accustomed to a minimum of sustenance, they could hardly be deprived of
that. Fuseli, who sowed his satire broadcast, exclaimed one day: 'What!
does Northcote keep a dog? What does he live upon? Why, he must eat his
own fleas!' But the painter did not attempt to force his opinions upon
others, so the kennel and the kitchen fared better than the parlour. The
servants were indulgently treated, permitted to eat as they pleased, and
die in their own fashion--of repletion or apoplexy, if it seemed good to
them.
If he was cold and callous and cynical to the rest of the world, he was
ever good and kind to the pinched elderly lady his sister. By his will
he gave directions that everything in his house should remain
undisturbed, that there should be no sale of his property in her
lifetime. He was counselled by considerate friends to have all his
pictures sold immediately after his funeral while his name was fresh in
the memory of the public; it was urged that his estate would benefit
very much by the adoption of such a course. 'Gude God, no!' the old man
would cry; 'I haven't patience with ye! Puir thing! d'ye think she'll
not be sufficiently sad when my coffin be borne away, and she be left
desolate! Tearing my pictures from the walls, and ransacking every nook
and corner, and packing up and carting away what's dearer to her than
household gods, and all for filthy lucre's sake! No; let her enjoy the
few years that will be spared to her; when she walks about the house let
her feel it all her own, such as it be, and nothing missing but her
brother. I'd rather my bones were torn from my grave, and scattered to
help repair the roads, than that a single thing should be displaced here
to give her pain. Ye'll drive me mad!'
Public-domain text, read in full here on John Shaqi.
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