Mr. Ruskin charges Turner's faults upon his contemporaries and the
public who failed to appreciate his genius. But is this for a moment
sustainable? _Was_ he unappreciated? His rise could hardly have been
more rapid. He was a Royal Academician when he was twenty-seven. His
merits were recognised almost immediately upon his becoming an
exhibitor. Anthony Pasquin (Williams), who did not speak well of every
one, loudly commends Turner's genius, and judgment, and originality, in
1797.[24] He was quite early a favourite with the public and the
critics. His prices were always high. Mr. Ruskin has declared in his
_Economy of Art_, that more than one hundred pounds should never be
given for a water-colour drawing, nor more than five hundred for an
oil-painting. But the sums Turner received were greatly in excess of
these limits. For the 'Rise and Fall of Carthage' he was offered L5000.
There is no evidence of his complaining of want of recognition by the
public. He was dissatisfied, it is true, at the time of Shee's death,
that he had not been made President; but this, as he well knew, was a
matter that rested entirely with the Academy. 'What has the Academy done
for me?' he would ask petulantly; 'they knighted Calcott, why don't they
knight me?' This involved no charge against his critics. He was passed
over for the same reason that Paley was neglected; because, as the
courtly phrase went, he was not a 'producible man.' In fine, though he
began with nothing, a barber's son in Hand Court, Maiden Lane, he died
worth L140,000, and was buried in St. Paul's! This hardly looks like
want of appreciation.
[24] It may be noted, however, that in 'The Georgian Era' (1834) occurs
the following passage:--'Some have gone the length of saying that in
marine views Turner has wrested the palm from all competitors; but with
this, few, surely, will agree who have seen the sea pieces of Powell, an
artist who, though but recently deceased, has had no biographer to
commemorate his poverty or his genius.' The works of Powell, however
admirable, are not likely now to be preferred to Turner's. 'The Georgian
Era' is not a work of much repute.
Public-domain text, read in full here on John Shaqi.
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