Art in Shell of the Ancient Americans: Second annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, pages 179-306Holmes, William Henry
History
Art in Shell of the Ancient Americans: Second annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, pages 179-306
Holmes, William Henry
Indian art; Indians -- Antiquities
In Plate LIII I present a large number of crosses, most of which have
been obtained from the mounds, or from ancient graves, within the
district occupied by the mound-builders. Eight are engraved upon shell
gorgets (illustrations of which are given in the accompanying plates),
one is cut in stone, three are painted upon pottery, and four are
executed in copper. With two exceptions they are inclosed in circles,
and are hence symmetrical Greek crosses, the ends being rounded to
conform to the circle; the remaining two (Figs. 14 and 15) represent
forms of the Latin cross, and resemble the crosses attached to the
rosaries of the Catholic priesthood. A silver cross similar to the last
given was obtained from a mound in Ohio.
The plate itself is instructive, and may be presented without further
remark.
[Illustration: PL. LIII--THE CROSS.]
SCALLOPED DISKS.
In making a hasty classification of the many engraved gorgets, I have
found it convenient to place in one group a numerous and somewhat
extraordinary class of designs which have been engraved upon scalloped
disks. Like the cross, the symbol here represented is one that cannot
with certainty be referred to an original. The general shape of the
disks is such as to suggest to most minds a likeness to the sun, the
scallops being suggestive of the rays. As this orb is known to be an
object of first importance in the economy of life--the source of light
and heat--it is naturally an object of veneration among many primitive
peoples. It is well known that the barbarian tribes of Mexico and South
America had well-developed systems of sun-worship, and that they
employed symbols of many forms, some of which still retained a likeness
to the original, while others had assumed the garb of animals or
fanciful creatures. These facts being known, it seems natural that such
a symbol as the one under consideration should be referred to the great
original which it suggests.
The well-known fact that the district from which these gorgets come,
was, at the time of discovery by the whites, inhabited by a race of
sun-worshipers--the Natchez--gives to this assumption a shadow of
confirmation. So far as I am aware, however, no one has ventured a
positive opinion in regard to their significance, but such suggestions
as have been made incline toward the view indicated above. I feel the
great necessity of caution in such matters, and while combating the idea
that the designs are ornamental or fanciful only, I am far from
attributing to them any deeply mysterious significance. They may in some
way or other indicate political or religious station, or they may even
be cosmogenic, but the probabilities are much greater that they are time
symbols. Before venturing further, however, it will be well to describe
one of these disks, a typical example of which is presented in Plate LIV.
Public-domain text, read in full here on John Shaqi.
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