Art in Shell of the Ancient Americans: Second annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, pages 179-306Holmes, William Henry
History
Art in Shell of the Ancient Americans: Second annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, pages 179-306
Holmes, William Henry
Indian art; Indians -- Antiquities
With all peoples the bird has been a most important symbol. Possessing
the mysterious power of flight, by which it could rise at pleasure into
the realms of space, it naturally came to be associated with the
phenomena of the sky--the wind, the storm, the lightning, and the
thunder. In the fervid imagination of the red man it became the actual
ruler of the elements, the guardian of the four quarters of the heavens.
As a result the bird is embodied in the myths, and is a prominent figure
in the philosophy of many savage tribes. The eagle, which is an
important emblem with many civilized nations, is found to come much
nearer the heart of the superstitious savage; its plumes are the badge
of the successful warrior; its body a sacred offering to his deities, or
an object of actual veneration. The swan, the heron, the woodpecker, the
paroquet, the owl, and the dove were creatures of unusual consideration;
their flight was noted as a matter of vital importance, as it could bode
good or evil to the hunter or warrior who consulted it as an oracle.
The dove, with the Hurons, is thought to be the keeper of the souls of
the dead, and the Navajos are said to believe that four white swans
dwell in the four quarters of the heavens and rule the winds.
The storm-bird of the Dakotas dwells in the upper air, beyond the range
of human vision, carrying upon its back a lake of fresh water; when it
winks its eyes there is lightning; when it flaps its wings we hear the
thunder; and when it shakes out its plumage the rain descends. Myths
like this abound in the lore of many peoples, and the story of the
mysterious bird is interwoven with the traditions which tell of their
origin. A creature which has sufficient power to guide and rule a race
is constantly embodied in its songs, its art, and its philosophy. Thus
highly regarded by the modern tribes, it must have been equally an
object of consideration among prehistoric races. We know that the
Natchez and the Creeks included the bird among their deities, and by the
relics placed within his sepulchers we know that it held an important
place in the esteem of the mound-builder.
Our prehistoric peoples seem to have taken special delight in carving
its form in wood and stone, in modeling it in clay, in fashioning it in
copper and gold, and in engraving it upon shell. One of the most
interesting of all the specimens preserved to us is illustrated in
Plate LVIII. The design with which this relic is embellished possesses
no little artistic excellence, and doubtless embodies some one of the
many charming myths of the heavens.
Public-domain text, read in full here on John Shaqi.
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