Art principles in literatureDonnelly, Francis P. (Francis Patrick)
Philosophy
Art principles in literature
Donnelly, Francis P. (Francis Patrick)
Aesthetics; Literature
Homer has fewer than others have of these nightmares, but it is not in
them nor in the tinsel sublimity of his divine machinery that Homer has
touched a wider circle of readers than any of his epic brethren. Rather
it is in his unaffected and transparent portrayal of the human nature
we all understand that Homer has set the heart of the world throbbing
faster. Not the celibate Virgil, nor the Puritanic Milton, dissolver
of matrimony, nor yet Dante, idealizer of the maiden Beatrice, gave us
childhood and motherhood as Homer has done. Homer is no sentimentalist,
but he has wider sympathies with mother and child than any author on the
rolls of literature. The mother cow, lowing over its first-born; the
mother dog, growling in defense of its litter; the mother lion, all its
brow wrinkled with the greatest frown ever sketched; the mother bird,
starving and dying for its young, yes, even the mother wasp, solicitous
for its menaced brood (note that, S. P. C. A.!) these are evidences of
Homer’s tenderness. Achilles likens his friend Patroclus to a little
maid fondly catching at her mother’s dress and getting in her way with
persistent tearful pleading till the mother takes her up. In the _Iliad_,
Helen’s sorrow for her abandoned Hermione is a pleasing element in her
repentance. Odysseus proudly styles himself the father of Telemachus;
the mother of Odysseus dies for longing of him, and his father, Laertes,
in the most exquisite of the many recognition scenes of the _Odyssey_,
passes from view in that story, while his long-absent son tells him of
the fruit trees, “which,” says Odysseus, “thou once gavest me for mine
own, and I was begging of thee this and that, being but a child and
following thee through the garden.” We have natural sketches of the
babyhood of his two heroes, Achilles and Odysseus.
Yet, more than all these pictures, stands out in the world’s imagination
Hector’s boy, whose future fate Andromache, after Hector’s death,
details with a mother’s despairing vividness, whose childish terror at
his father’s helmet, while Andromache smiles through her tears, has
brought home to unnumbered thousands the grim specter of war. That scene
has etched itself so deeply into the heart of mankind that it has almost
ruined Homer’s poem, alienating universal sympathy from Achilles to
Hector.
Public-domain text, read in full here on John Shaqi.
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