Art Principles with Special Reference to Painting: Together with Notes on the Illusions Produced by the PainterGovett, Ernest
Philosophy
Art Principles with Special Reference to Painting: Together with Notes on the Illusions Produced by the Painter
Govett, Ernest
Art; Painting
[d] Martyrdom of St. Peter, Modena.
[e] Creation of the Earth.
Quite a number of artists represent the suspended figures standing on
the backs of cherubs or cupids, which in their turn are supported by
clouds, as for instance, R. Ghirlandaio,[a] Liberale di Verona,[b] and
Francesco da Cotignola.[c] Fra Bartolommeo places a single foot of the
Deity on a cherub who holds a banderole, the illusion being
excellent.[d] Domenichino adopts a most ingenious device in St. Paul's
Vision. He shows the Apostle being carried to Heaven by winged cherubs,
who appear to find the weight considerable, and to struggle under it.
There is little else to induce the illusion, which is complete.[e] A
similar scheme is successfully managed in Prud'hon's Abduction of
Psyche. Tassaert uses a like device, but in addition has a cherub
supporting each arm of the Virgin. Palma Vecchio makes the Virgin stand
on the outstretched wings of a cherub, but her robe blows upwards,
giving her the appearance of descending instead of ascending.[f] Rubens
has three alternatives in the use of cherubs. The figure sits on clouds
with feet resting on small globes sustained by cherubs[g]; or the
cherubs hold the dress and mantle of the Virgin; or they help to control
the clouds upon which she sits.[h] In some of his pictures of the
Immaculate Conception, Murillo also uses globes, but places the cherubs
on them instead of under. Francia has a picture in which cherubs hold up
clouds bearing the Virgin,[i] a device once used by Rembrandt.[j] Genga
shows the Deity kneeling upon the heads of cherubs, a scheme not
satisfactory.[k] Cherubs were used by Titian to hold up the Virgin and
clouds,[l] while Velasquez rested the robes on clouds, but used cherubs
to sustain the Holy Mother.[m]
[a] The Madonna giving her Girdle to St. Thomas, Prato.
[b] The Magdalene and Saints.
[c] Adoration of the Shepherds, Ravenna Academy.
[d] The Deity with SS. Catherine and Magdalene.
[e] Assumption of the Virgin.
[f] Assumption of the Virgin, Venice.
[g] The Deity and Christ, Weimar.
[h] Assumption of the Virgin at Dusseldorf, Augsburg, Brussels, and
Vienna.
[i] Madonna and Child in Glory, Berlin.
[j] The Ascension, Munich.
[k] The Magdalene and Saints, Milan.
[l] Assumption of the Virgin, Venice.
[m] Coronation of the Virgin, Madrid.
Public-domain text, read in full here on John Shaqi.
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