Art Principles with Special Reference to Painting: Together with Notes on the Illusions Produced by the PainterGovett, Ernest
Philosophy
Art Principles with Special Reference to Painting: Together with Notes on the Illusions Produced by the Painter
Govett, Ernest
Art; Painting
At the same time that he exhibits proof of his legal proceedings,
he intermixes an image of the battle, and by that stroke of art
quite passes the bounds of mere persuasion.
But it was rather the manner in which the battle was introduced than the
fact of its introduction, that gave force to the argument. If instead of
confining himself to a short brilliant observation, Hyperides had
carefully traced cause and effect in the matter, he would still have
intermixed an image of the battle, but he would not then have produced a
work of art.
Still finer instances of the use of brevity in expresssion by the orator
are to be found in the speeches of Demosthenes. For example in his
oration On the Crown he says: "Man is not born to his parents only, but
to his country." A whole volume on the meaning and virtue of patriotism
could not say more: hence the sublime art. The simple statement lights
a torch by which we examine every convulsion in history; presents a
moving picture in which we see the motives and aspirations guiding the
patriots of a hundred generations; sets an eternal seal of nobility upon
the love of man for his native country. And a few words suffice. The
same thought might be elaborated into a large volume, but the art would
fly with the brevity.
[a] _On the Sublime_, XV., William Smith translation.
NOTE 24. PAGE 68
There are many translations of the Ode to Anactoria, but the best of
them reflects only slightly the depth of passion in the original. The
version which most nearly represents the substance, while maintaining
the unhalting flow of language, is perhaps that of Ambrose Philips
(1675-1749), which runs thus:--
Blest as th' immortal gods is he,
The youth who fondly sits by thee,
And hears, and sees thee all the while
Softly speak, and sweetly smile.
'Twas this deprived my soul of rest,
And raised such tumults in my breast;
For while I gazed, in transport tost,
My breath was gone, my voice was lost.
My bosom glowed; the subtle flame
Ran quick through all my vital frame;
O'er my dim eyes a darkness hung;
My ears with hollow murmurs rung.
In dewy damps my limbs were chilled;
My blood with gentle horrors thrilled;
My feeble pulse forgot to play;
I fainted, sunk, and died away.
Public-domain text, read in full here on John Shaqi.
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