Velasquez, D. R. de Silva, 1599-1660, Spanish, 152 _et seq._, 283 --Christ at the Column, 246; Las Meninas, 155, 247; Coronation of the Virgin, 266; The Drinkers, 182; The Three Musicians, 175; The Breakfast, 155; portraits of Philip IV., 153; Olivares, 149; Innocent X., 151; Don Antonio el Ingles, 149; Rokeby Venus, 119; Surrender of Breda, 155; Christ in the house of Martha, 155 Venusti, Marcello, died after 1579, Italian [Florentine] --Annunciation, 354 Verestchagin, V., 1842-1904, Russian, 184 Vermeer, Jan (of Delft), 1632-1675, Dutch, 20 Vernet, E. J. Horace, 1789-1863, French --La Smalah, 256 Veronese, Paolo (Paolo Caliari), 1528-1588, Italian [Venetian], 231, 286, 350 Verrocchio, Andrea del, 1435-1488, Italian, 325 Viti, Timoteo della, 1470-1523, Italian [Umbrian], 332, 345 W Walker, Horatio, 1858-, American --Ave Maria, 353 Watteau, Antoine, 1684-1721, French, 278, 283 --Embarkation for Cythera (Paris), 254; do. (Berlin), 269 Watts, George F., 1817-1904, British --Death, the Friend, 188, 191 West, Benjamin, 1738-1820, American --Death of General Wolfe, 190 Whistler, J. A. McN., 1834-1903, American, 50, 349 Wiertz, A., 1806-1865, Belgian --The Orphans, 189; Things of the Past, 226 Wilson, Richard, 1714-1782, British, 48 Witt, J. H., 1840-1901, American --Bless the Lord, 262 Wouverman, Philip, 1614-1670, Dutch, 203, 245 Z Zurbaran, Francisco, 1598-1662, Spanish, 19 GENERAL INDEX A Actors in stage rôles, portraits of, 223 Aerial perspective, Claude the first master of, 47; its importance, 198; method of producing, 200 Æsthetic systems, all of them untenable, 3, 274; Carritt on, 274; of Hegel, 277; of Croce, 273 Ages of man, pictures contrasting the, 179 Allegorical painting, when secondary art, 225 Angel of Death in art, instances of, 191; symbol of, 188 Angels, representation of, in aerial suspension and flight, 262, 266 Animal painting, in action, 255; ideals in, not possible, 56 Annunciation, The, indication of surprise in expression, 270, 354 Apelles, his Venus Anadyomene, 113, 330; epigrams on, 331 Aphrodite (_see_ Venus) Apollo, his representation in art, 124 Architecture, its position in the Fine Arts, 53; imitative character of, 53, 294; unconcerned with ideals, 58; produces sensorial beauty only, 64; simplicity its keynote, 75; standard of judgment in, 75; S. Colvin on, 292 Ares (_see_ Mars) Aristotle, on imitation in art, 215, 292; on metrical form in poetry, 54, 296; his division of the painter's art, 62; his connection of morals with art, 314