Art Principles with Special Reference to Painting: Together with Notes on the Illusions Produced by the PainterGovett, Ernest
Philosophy
Art Principles with Special Reference to Painting: Together with Notes on the Illusions Produced by the Painter
Govett, Ernest
Art; Painting
Astarte, Aphrodite, Venus, Spirit of Love, or by whatever name we call
her; the one eternal divinity recognized by all ages, all races; the
universal essence whose fragrance intoxicates every soul: the one queen
before whom all must bow: the one imperial autocrat sure of everlasting
rule--sure of the devoted allegiance of every living thing to the end of
time! Such is Aphrodite, for that is the name under which we seem to
love her best--the Aphrodite of the Greeks, without the vague terrifying
aspect of Astarte, or the more earthly qualities of the Roman Venus. Who
loves not the Aphrodite sprung from the foam of the sea; shading the sun
on the Cytheran isle with the light of her glory; casting an eternal
hallow over the groves of Cyprus; flooding the god-like mind of Greece
with her sparkling radiance? What conception of her beauty can rise high
enough when the grass in astonishment grows beneath her feet on desert
rocks; when lions and tigers gently purr as she passes, and the rose and
the myrtle throw out their scented blossoms to sweeten the air? Hera
and Athena leave the heavens to help man fight and kill: Aphrodite
descends to soothe despairing hearts, and kindle kindly flame in the
breast of the loveless. The spear and the shield with the crested helmet
she knows not, nor the fiery coursers accustomed to the din of strife.
Serenely she traverses space at the call of a lover's prayer, her car a
bower of celestial blooms. From the ends of the earth fly the sparrows
to draw it, till their myriads hide the sun, and mortals learn that the
time has come when their thoughts may turn to the spirit of love.
This was the Aphrodite of Grecian legend and poetry, if we except Homer
and Hesiod. It is the type of the goddess whom Sappho implored, and must
be accepted as the general ideal of the Grecian worshippers who desired
divine mediation when troubled with pangs of the heart. But it was not
the type of Phidias and his school, for Phidias passed over Hesiod and
purified Homer, representing Aphrodite with the stately mien and lofty
bearing of a queen of heaven, daughter of the all-powerful Dione:
goddess of beauty and love certainly, but so far above the human
understanding of these terms that all efforts to associate her with
mundane ideas and aspirations must signally fail.[44]
Public-domain text, read in full here on John Shaqi.
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