I therefore resolved, that before Madame de Pënâfiel returned, I would
become assiduous in my attentions to some well-known woman of fashion,
to one who had some officially recognised admirer.
I insisted on both of these conditions, for, in this way, my supposed
interest would be talked about all the more and the sooner.
This was a very simple calculation, inasmuch as, when my pretended
admiration should be noticed, rumour would, with its usual charity and
veracity, instantly proclaim the downfall of the former admirer, and my
promotion to his place.
I decided, then, to persuade some fashionable lady to receive my
attentions.
What really saddened me was that, as I coldly calculated such a series
of lies and deceptions, I perfectly understood their meanness. I had not
the excuse of passion, not even any very great desire of pleasing Madame
de Pënâfiel. It was simply as a means of distraction, and the
necessity of occupying my restless and discontented spirit, that I
forced myself to seek, in the miserable chances and changes of mundane
life, some unforeseen event that might save me from the mournful and
deadening apathy that was crushing my life out.
Strange enough, when I was once in for it, I recovered my spirits, my
youthfulness, my gaiety, and many joyful hours of contented vanity. It
seemed as if there were two of me, so astonished was I to hear myself
talk in this extravagant way, and then, as soon as I was left alone with
my reflections, my mind became agitated by my old painful, baseless
worries, and by a thousand uncertainties as to myself, every one, and
everything.
CHAPTER XVI
THE GREEN ALBUM
Whoever has been in society must know that, without any
self-glorification, it is not at all difficult for any man who is fairly
well-bred and properly presented to attract the attention of a
fashionable woman, if he firmly wishes to do so.
What a singular existence is that of a woman of fashion, a life made up
of a series of efforts to charm the most selfish and ungrateful half of
the human race. When once a woman is recognised as a leader of fashion,
when it is admitted that she dresses well, and always in the latest and
most becoming style, that she is charming or witty, the poor woman no
longer belongs to herself. She is simply one of the stars of that
brilliant crown that Paris wears on its forehead every evening.
She is obliged to show herself at every fête; joyous or sad, she must
be there, always there; her dress must be the most elegant, her hair
must be dressed in the latest way, her face must wear its sweetest
smile; she must be always gracious and accessible, polite to every one;
the stupidest fool in the room has a right to expect to be received as
though she were enchanted to meet him.
Public-domain text, read in full here on John Shaqi.
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