"I forgot to tell you, madame, that the name of the new opera is 'La
Norma,'" I hastened to say, addressing Madame de Pënâfiel. "The
subject is the love of a priestess of the Gauls." Madame de Pënâfiel
immediately took up this theme, and enlarged on it in a very
entertaining way, showing what a good subject it was for a drama.
She then seized the opportunity of showing her erudition on the religion
of the Druids; she talked about the Celtic stones, and I felt sure that,
by an easy transition, she would soon arrive quite naturally at the
syllabic value of hieroglyphics, and the discussion of which Arthur
Young had spoken. It so happened that I chanced to be very much
interested in this study, for my father, who was an intimate friend of
M. de Guignes, had in his last years been a student of those
alphabetical problems. I could have continued the conversation by
drawing Madame de Pënâfiel into a discussion, in which she probably
would have shone at my expense; but her pretension to being learned
shocked me, and I warded off a hieroglyphic attack, which I thought
imminent, by declaring my perfect ignorance of the subject, whose
aridity I said frightened me.
My avowal of ignorance seemed to lift a weight off the minds of the
other men present, because they would have been mortified at being left
out of such a conversation, which would show an unusual fondness for
studies that were quite beyond an ordinary education. I do not know
whether Madame de Pënâfiel was provoked at my speech, which had lost
her the opportunity of showing her learning, or if she believed my
ignorance was affected. She did not pretend to hide a slight movement of
annoyance, but, with great tact and infinite skill, she resumed her
conversation about the Druids, passing from the Celtic inscriptions to
the picturesque costume of the priestesses of the Gauls, their long,
clinging robes, and the charming effect of the holly leaves in either
blonde or brown hair. She brought down the conversation naturally from
the scientific heights on which she at first had started to the vulgar
plains of every day costume, and then it became general. I admit that
these transitions were skilfully managed by Madame de Pënâfiel, and
that any one but a person who was well-read, clever, quick, and used to
society, would have failed entirely.
I was far from being astonished, for I had not expected to find candour
and inexperience, so as I was tired of so much senseless babble, and saw
that this was not the opportunity I desired of studying and observing at
my ease this person, who was said to be so singular, I rose to go out
unperceived, as a new arrival was being announced; but Madame de
Pënâfiel, near whom I was seated, said to me as she saw that they were
bringing the urn and the waiters into the other little salon:
"Monsieur, will you not have a cup of tea?"
I bowed and remained.
Public-domain text, read in full here on John Shaqi.
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