Must it be, alas! confessed to my shame? In considering with an
experience so unfortunately hasty these different kinds of griefs, this
last pain seemed to me less intense, but more bitter; less deep, but
more violent; less oppressive, but more poignant than the first.
There are, I believe, two orders of suffering: suffering of the heart,
legitimate and hallowed; suffering of pride, shameful and miserable.
The first, however desolating it may be, has no bitterness; it is
immense, but one is proud of this immensity of grief, as one would be of
the religious accomplishment of some great and sad duty!
Then, also, the tears caused by this suffering flow abundantly, and
without any trouble; the soul is disposed to the most touching emotions
of pity, or is full of commiseration and of love; in a word, all
misfortunes are the cherished and respected sisters of our misfortune.
On the contrary, if you suffer for an unworthy cause, your heart is
drowned in hatred; your concentrated grief resembles dumb fury which
shame bridles with a sharp bit that vanity conceals; envy and hatred
gnaw you, but your eyes are dry, and the unhappiness of others can alone
draw from you a sad and mournful smile.
Such, at least, were the two shades of grief, very defined, which I felt
after the death of my father, and after my rupture with Hélène and
Marguerite.
That was not all. Scarcely had I left Paris with Lord Falmouth, than, by
a miserable caprice, I regretted having undertaken this journey; not
that I feared its results, but I should have preferred to be alone, in
order to have looked my sorrow well in the face, to have struggled with
it hand to hand, and, perhaps, to have triumphed over it.
I have often found when one suffers, nothing is more fatal than to wish
to be distracted from one's grief.
If during some moments you become stupefied by your misfortunes, the
awakening is horrible.
When you find yourself suddenly precipitated into an abyss of moral
suffering, after the terrible shock which stuns, which bruises even the
most delicate fibres of your heart, that which is, above all, most
frightful, is this sudden night, black and profound, of the soul, which
does not permit one to see even the thousand wounds by which it is torn.
Frightfully bruised, you lie annihilated in the midst of a chaos of
nameless pains; then, little by little, thought follows the vertigo. As
sight becomes accustomed to distinguishing the objects in the gloom, you
begin, so to speak, to recognise yourself in your despair.
Public-domain text, read in full here on John Shaqi.
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