Arthur Blane; or, The Hundred CuirassiersGrant, James
History
Arthur Blane; or, The Hundred Cuirassiers
Grant, James
France -- History -- Louis XIII, 1610-1643 -- Fiction
We put up at a quiet auberge in the suburbs--such a place as I
usually chose. It was kept by a reverend-looking old man, who told
me that he had been a soldier in the wars of the League, and was the
comrade of Nicholas Poussin in the regiment of the Vicomte de
Tavannes. The moment we entered this auberge, Nicola, as usual,
retired to her chamber, and on this occasion without even bestowing
on me the sweet smile and farewell bow, or waving to me a kiss with
her pretty hand, according to her usual wont when we separated for
the long hours that must intervene until the morrow; and this pained
me more than I could have believed the coldness or slight of any girl
would do--especially a girl in her position.
That night I was very sleepless and miserable.
Love should be pure, true, and humble; for true love, as the
Scripture saith of charity, seeketh not its own; and such, I hope,
was mine for this French girl. I watched the chamber where Nicola
slept, and listened to her soft breathing through the door, which was
slightly ajar. I saw the shadow of her curtained bed thrown by the
night lamp across the floor, and I would have given the world (as the
phrase is) to peep in and see her dear little face as she slept; but
if discovered, the intrusion would have been deemed an unpardonable
offence by one so proud, so pure, and modest as Nicola; so I lingered
without--listening, watching, and hoping I scarcely knew what.
I counted the miles, the days, and hours of our journey, past and
those to come; and reckoned the time at which she must leave me--when
we would separate, and, too probably, never to meet again. This
approaching fate greatly enhanced the delight I felt in the society
of Nicola, and I returned to bed, full of strange thoughts.
'Either I am of a singularly inflammable nature,' said I, while
turning restlessly on my pillow, 'or by what magic or miracle, other
than her beauty, does this girl so fascinate me?'
I had asked myself this question a hundred times before.
Then there was that proud reserve and occasional constraint of
manner, which in a soubrette--and especially the soubrette of so gay
a beauty as the Countess d'Amboise--were so difficult of analysis;
and for which, even the peculiarity of our positions--a young man and
a beautiful young woman, unwedded and unrelated, travelling thus
together, and apart from all the world, could not entirely account.
Why did I not fall in love with this girl in Paris, when I had a
thousand favourable opportunities for entangling her in one of those
countless intrigues which make the sum of human life there? Simply,
because I had never thought of it when there--and our positions were
then altogether different.
Public-domain text, read in full here on John Shaqi.
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