Arthur Blane; or, The Hundred CuirassiersGrant, James
History
Arthur Blane; or, The Hundred Cuirassiers
Grant, James
France -- History -- Louis XIII, 1610-1643 -- Fiction
The princely residence of the Dukes of Lorraine stands in the oldest
portion of the city. It has a magnificent entrance, within which was
a vestibule, lined by lacqueys, guards, and pages. From thence, we
passed into a noble quadrangle, encircled by a piazza, the columns
and arches of which are covered by florid carving, and embellished by
many statues and bassi-rilievi. It has also several towers, one of
which served for an arsenal and magazine of arms; the others were
staircases. It has gardens of great space and beauty, enclosed on
one side by the ramparts of the city. Surrounded by my escort and a
crowd of staring lacqueys and pages, I remained in the guard-chamber
of the palace, oblivious and heedless alike of their impertinence,
and the peculiarity of my position, occupied by one overwhelming
thought, until I was roused by a sub-brigadier of the gendarmerie,
who rode in, with an order from Monseigneur the Prince of Vaudemont,
who had just been accidentally informed of my capture, to conduct me
to a proper apartment, where every comfort and attention should be
given me; that my escort were to retire, and that I should consider
myself as a prisoner on parole of honour.
I thanked the sub-brigadier, and bade the sergeant, Alsfeldt, adieu,
giving him a crown of the sun to drink my health with his comrades.
I was then led by a valet-de-chambre up one of the staircases to a
portion of the palace that overlooked the gardens, and there three
apartments, each of which might have satisfied a marechal of France,
were assigned to me. The valet gave me every means of repairing or
improving my toilet, which a night spent in the custody of the
musketeers, and especially some cuts and slashes received in my late
encounter with Vaudemont, had somewhat deranged.
My sitting-room was lofty, and had three casemated windows filled
with painted glass; its walls were hung with dark-green velvet,
starred with gilded mullets. An oak cabinet, bearing a service of
plate and shining crystal, stood at One end, and above it hung a
Madonna of Raphael. On the white marble mantelpiece was carved the
celebrated device of the Guises, an A within an O--_chacun_ A _son
tour_--meaning that every angle had its turning.
I seated myself by the table at an open window, with my head resting
on my hand, seeking to arrange my thoughts, and to recover from the
astonishment, the sorrow, and disappointment which oppressed me.
The soft breeze of noon fanned my brow and cheek, which were flushed
and hot. It brought to me the perfume of flowers and the fragrance
of the orangeries. The gardens were beautiful with a thousand varied
flowers; the sunshine was bright and warm; the summer day in Lorraine
was ambient and glorious; but my heart was full of bitterness and
heavy grief--bitterness for my humiliating position, and grief for
the loss of Nicola--for I justly deemed that I had lost her for ever.
Public-domain text, read in full here on John Shaqi.
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