Arthur O'Leary: His Wanderings And Ponderings In Many LandsLever, Charles
General
Arthur O'Leary: His Wanderings And Ponderings In Many Lands
Lever, Charles
Fiction
A watering-place at the close of a season is always a sad-looking thing.
The barricades of the coming winter already begin to show; the little
statues in public gardens are assuming their greatcoats of straw against
the rigours of frost; the _jets d’ eau_ cease to play, or perform with
the unwilling air of actors to empty benches; the tables d’hôte present
their long dinner-rooms unoccupied, save by a little table at one end,
where some half-dozen shivering inmates still remain, the débris of the
mighty army who flourished their knives there but six weeks before--
these half-dozen usually consisting of a stray invalid or two,
completing his course of the waters, having a fortnight of sulphuretted
hydrogen before him yet, and not daring to budge till he has finished
his ‘heeltap’ of abomination. Then there’s the old half-pay major, that
has lived in Spa, for aught I know, since the siege of Namur, and who
passes his nine months of winter in shooting quails and playing
dominoes; and there’s an elderly lady, with spectacles, always working
at a little embroidery frame, who speaks no French, and seems not to be
aware of anything going on around her--no one being able to guess why
she is there, she probably not knowing why herself. Lastly, there is a
very distracted-looking young gentleman, with a shooting-jacket and
young moustaches, who having been ‘cleaned out’ at _rouge et noir_, is
waiting in the hope of a remittance from some commiserating relative in
England.
The theatre is closed; its little stars, dispersed among the small
capitals, have shrunk back to their former proportions of third and
fourth-rate parts--for though butterflies in July, they are mere grubs
in December. The clink of the croupier’s mace is no longer heard,
revelling amid the five-franc pieces; all is still and silent in that
room which so late the conflict of human passion, hope, envy, fear, and
despair, had made a very hell on earth.
The donkeys, too, who but the other day were decked in scarlet
trappings, are now despoiled of their gay panoply, and condemned to the
mean drudgery of the cart. Poor beasts! their drooping ears and fallen
heads seem to show some sense of their changed fortunes; no longer
bearing the burden of some fair-cheeked girl or laughing boy along the
mountain-side, they are brought down to the daily labour of the cottage,
and a cutlet is no more like a mutton-chop than a donkey is like an ass.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account