Artificial Light: Its Influence upon CivilizationLuckiesh, Matthew
History
Artificial Light: Its Influence upon Civilization
Luckiesh, Matthew
Electric lighting; Lighting -- History
When France gave to this country the Bartholdi Statue of Liberty there
was no thought of having this emblem visible at night excepting for the
torch held the hand of Liberty. This torch was modified at the time of
the erection of the statue to accommodate the lamps available, with the
result that it was merely a lantern containing a number of electric
lamps. At night it was a speck of light more feeble than many
surrounding shore lights. The statue had been lighted during festivals
with festoons and outlines of lamps, but in 1915, when the freedom of
the generous donor of the statue appeared to be at stake, a movement was
begun which culminated in a fund for flood-lighting Liberty. The broad
foundation of the statue made the lighting comparatively easy by means
of banks of incandescent filament search-lights. About 225 of these
units were used with a total beam candle-power of about 20,000,000. The
original idea of an imitation flame for the torch was restored by
building this from pieces of yellow cathedral glass of three densities.
About six hundred pieces of glass were used, the upper ones being
generally of the lighter tints and the lower ones of the darker tints. A
lighthouse lens was placed in this lantern so that an intense beam of
light would radiate from it. The flood-lighted Statue of Liberty is now
visible by night as well as by day and it has a double significance at
night, for light also symbolizes independence.
Just as the Statue of Liberty stands alone in the New York Harbor so
does the Woolworth Building reign supreme on lower Manhattan. Liberty
proclaims independence from the bondage of man and the Woolworth Tower
stands majestically in defiance of the elements as a symbol of man's
growing independence of nature. This building with its cream terra-cotta
surface and intricate architectural details touched here and there with
buff, blue, green, red, and gold, rises 792 feet or sixty stories above
the street and typifies the American spirit of conceiving and of
executing great undertakings. In it are blended art, utility, and
majesty. Viewed by multitudes during the day, it is a valuable
advertisement for the name which stands for a national institution. But
by day it shares attention with its surroundings. If lighted at night it
would stand virtually alone against the dark sky and the investment
would not be wholly idle during the evening hours.
Public-domain text, read in full here on John Shaqi.
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