Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early RenaissanceAddison, Julia de Wolf
History
Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early Renaissance
Addison, Julia de Wolf
Arts and crafts movement; Decoration and ornament, Medieval; Decorative arts -- History; Illumination of books and manuscripts
We read of the "chained books" of the Middle Ages, and I think
there is a popular belief that this referred to the fact that the
Bible was kept in the priest's hands, and chained so that the people
should not be able to read it for themselves and become familiar
with every part of it. This, however, is a mistake. It was the
books in the libraries which were chained, so that dishonest people
should not make way with them! In one Chapter Library, there occurs
a denunciation of such thieves, and instructions how to fasten the
volumes. It reads as follows: "Since to the great reproach of the
Nation, and a greater one to our Holy Religion, the thievish
disposition of some who enter libraries to learn no good there,
hath made it necessary to secure the sacred volumes themselves
with chains (which are better deserved by those ill persons, who
have too much learning to be hanged, and too little to be honest),
care shall be taken that the chains should neither be too long nor
too clumsy, more than the use of them requires: and that the loops
whereby they are fastened to the books may be rivetted on such a
part of the cover, and so smoothly, as not to gall or graze the
books, while they are moved to or from their respective places.
And forasmuch as the more convenient way to place books in
libraries is to turn their backs out showing the title and other
decent ornaments in gilt work which ought not to be hidden, this
new method of fixing the chain to the back of the book is
recommended until one more suitable shall be contrived."
Numerous monasteries in England devoted much time to scriptorium
work. In Gloucester may still be seen the carrels of the scribes
in the cloister wall, and there was also much activity in the book
making art in Norwich, Glastonbury, and Winchester, and in other
cities. The two monasteries of St. Peter and St. Swithin in Winchester
were, the chronicler says, "so close packed together,... that between
the foundation of their respective buildings there was barely room
for a man to pass along. The choral service of one monastery
conflicted with that of the other, so that both were spoiled, and
the ringing of their bells together produced a horrid effect."
Public-domain text, read in full here on John Shaqi.
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