Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early RenaissanceAddison, Julia de Wolf
History
Arts and crafts in the Middle Ages : $b a description of mediaeval workmanship in several of the departments of applied art, together with some account of special artisans in the early Renaissance
Addison, Julia de Wolf
Arts and crafts movement; Decoration and ornament, Medieval; Decorative arts -- History; Illumination of books and manuscripts
Toledo blades have always been famous, and rank first among the
steel knives of the world. Even in Roman times, and of course under
the Moors, Toledo led in this department. The process of making a
Toledo blade was as follows. There was a special fine white sand
on the banks of the Tagus, which was used to sprinkle on the blade
when it was red hot, before it was sent on to the forger's. When
the blade was red hot from being steeped four-fifths of its length
in flame, it was dropped point first into a bucket of water. If it
was not perfectly straight when it was withdrawn, it was beaten
into shape, more sand being first put upon it. After this the
remaining fifth of the blade was subjected to the fire, and was
rubbed with suet while red hot; the final polish of the whole sword
was produced by emery powder on wooden wheels.
[Illustration: DAMASCENED HELMET]
Damascening was a favourite method of ornamenting choice suits
of armour, and was also applied to bronzes, cabinets, and such
pieces of metal as lent themselves to decoration. The process began
like niello: little channels for the design were hollowed out, in
the iron or bronze, and then a wire of brass, silver, or gold, was
laid in the groove, and beaten into place, being afterwards polished
until the surface was uniform all over. One great feature of the art
was to sink the incision a little broader at the base than at the top,
and then to force the softer metal in, so that, by this undercutting,
it was held firmly in place. Cellini tells of his first view of
damascened steel blades. "I chanced," he says, "to become possessed
of certain little Turkish daggers, the handle of which together
with the guard and blade were ornamented with beautiful Oriental
leaves, engraved with a chisel, and inlaid with gold. This kind of
work differed materially from any which I had as yet practised or
attempted, nevertheless I was seized with a great desire to try my
hand at it, and I succeeded so admirably that I produced articles
infinitely finer and more solid than those of the Turks." Benvenuto
had such a humble opinion of his own powers! But when one considers
the pains and labour expended upon the arts of damascening and
niello, one regrets that the workers had not been inspired to attempt
dentistry, and save so much unnecessary individual suffering!
On the Sword of Boabdil are many inscriptions, among them, "God is
clement and merciful," and "God is gifted with the best memory."
No two sentiments could be better calculated to keep a conqueror
from undue excesses.
Public-domain text, read in full here on John Shaqi.
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