We had breakfast, and after the cups and saucers were cleared away,
applied ourselves to our ordinary forenoon occupation. It turned out
indeed that my good spirits were, as Merivale had suspected, to some
extent reactionary: but they left me sober rather than sad. I was
absent-minded and committed numberless blunders while my friend dictated
his poems: but I did not let my thoughts settle down again upon the
matters that had engaged them during the night. They simply wandered
about in a random way from one indifferent topic to another, as it is
the habit of thoughts to do when the thinker has not had his customary
allotment of sleep. Presently Merivale suspended his dictation, and
I waited passively for him to resume, supposing that he had reached a
point where reflection was necessary to further progress. His silence
continued. Pretty soon my eyelids dropped like leaden curtains over my
eyes, and my chin sank upon my breast. I was actually nodding. I started
up and pinched myself, ashamed of appearing drowsy.
Lo! I perceived that my friend had met with the same mishap. He too was
nodding in his chair. For a moment we eyed each other sheepishly, each
endeavoring to feign wide wakefulness. Then Merivale rose and stretched
himself and laughed.
“For my part I cast off the mask,” he cried. “I am sleepy and I am
going to bed. You’d better follow suit.”
I needed no urging. We retired to our dormitory, and as speedily as was
practicable one of us at least fell into an unfathomable slumber.
XIII.
I DON’. know how many hours afterward I awoke. Gradually, as
consciousness asserted itself, I realized that somebody was playing a
violin in the adjacent room: and at length it struck me that it must be
Merivale practicing. I pricked up my ears and hearkened. Oh, yes; he was
running over his part of the last new composition we had studied. The
clock-like tick-tack of his metronome marked the rhythm. I lay still and
listened till he had repeated the same phrase some twenty times. Finally
I got up and crossed the threshold that divided us.
Merivale kept on playing for a minute or two, unaware of my intrusion.
Not till it behooved him to turn the page did he lift his eyes. Then,
encountering my night-robed figure,they lighted up with merriment. Their
owner lowered his instrument, remained silent for a moment, in the end
gave vent to an uproarious peal of laughter.
“What are you laughing at?” I stammered.
When he had got his hilarity somewhat under control he replied: “At
you. Come and gaze upon yourself.” And conducting me to a mirror he
said, pointing, “There, isn’t that a funny sight?”
Public-domain text, read in full here on John Shaqi.
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