France -- History -- Francis I, 1515-1547 -- Fiction
And Jacques Aubry thrust his hands in his pockets and strutted down Rue
de Battoir, at the end of which Gervaise lived, whistling a student's
song.
The Vicomte de Marmagne continued his journey toward the Grand-Nesle.
Benvenuto was in fact alone, as Jacques Aubry had said; Ascanio had
wandered away, I know not where, to dream; Catherine had gone with
Ruperta to visit one of her friends, and all the workmen and apprentices
were holiday making at Vanvres.
The master was in the garden working at the clay model of his gigantic
statue of Mars, whose colossal head could see the Louvre over the roof's
of the Grand-Nesle, when little Jehan, who was on guard at the door for
the day, deceived by Marmagne's manner of knocking, took him for a
friend, and admitted him with his two sbirri.
If Benvenuto did not, like Titian, work with his coat of mail upon his
back, he did, like Salvator Rosa, work with his sword at his side, and
his carbine within reach of his hand. Marmagne therefore quickly
discovered that life had gained very little by surprising him; he had
simply surprised an armed man.
The viscount did not even try to dissemble his bravado born of
poltroonery; and when Cellini, in an imperative tone which called for an
immediate reply, demanded why he had come upon his premises,--
"I have no business with you," was his answer; "I am the Vicomte de
Marmagne; I am the king's secretary, and here is an order from his
Majesty," he added, holding a paper above his head, "which allots a
portion of the Grand-Nesle to me; I am here to make provision for
arranging to my taste that portion of the hotel which is allotted to me,
and which I shall occupy henceforth."
With that, Marmagne, still followed by his two sbirri, stalked toward
the door of the château.
Benvenuto seized his carbine, which was, as we have said, within his
reach, and with one bound stood in front of the door on the stoop.
"Halt where you are!" he cried in a terrible voice, stretching out his
right arm in Marmagne's direction; "one step more, and you're a dead
man!"
The viscount at once stopped short, although after these preliminaries
we might perhaps have anticipated a desperate conflict.
But there are men to whom is given the power to strike terror to other
men's hearts. There is an indescribable something in their look, their
gestures, their attitude, as in the look, the gestures, and the attitude
of the lion. The air about them is instinct with awe; their power is
felt afar off. When they stamp upon the ground, clench their fists, knit
their brows, or inflate their nostrils, the boldest hesitate to attack
them. A wild beast, whose young are attacked, has but to bristle up and
breathe noisily to make the assailant tremble. The men of whom we speak
are living dangers. Valiant hearts recognize their like in them, and go
straight forward to meet them, despite their secret emotion. But the
weak, the timid, the cowardly, recoil at sight of them.
Public-domain text, read in full here on John Shaqi.
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