France -- History -- Francis I, 1515-1547 -- Fiction
With that the duke took leave of Madame d'Etampes, and walked away,
enchanted with the unexpected turn the negotiations had taken.
"Now it is my purpose to speak plainly and without circumlocution," said
the duchess to Comte d'Orbec, when she was alone with Ascanio and him.
"You know three things, count: first, that it is most important for my
friends and myself that my power should at this moment be put beyond
question and beyond the reach of attack; secondly, that when this
arrangement is once carried through, we shall have no occasion to dread
the future, that Charles d'Orléans will fill the place of François I.,
and that the Duke of Milan, whom I shall have made what he is, will owe
me much more gratitude than the King of France, who has made me what I
am; thirdly, that your Colombe's beauty has made a vivid impression upon
his Majesty. Very well! I address myself now, count, to the superior
individual, who is not influenced by vulgar prejudices. You hold your
fate in your own hands at this moment: do you choose that Trésorier
d'Orbec should succeed Chancelier Poyet, or, in more positive terms,
that Colombe d'Orbec should succeed Marie de Brissac?"
Ascanio in his horror made a movement which D'Orbec did not notice, as
he met the searching gaze of Madame d'Etampes with a villanous leer.
"I desire to be chancellor," he replied briefly.
"Good! then we are both saved. But what of the provost?"
"Oh," said the count, "you can find some fat office for him; only let it
be lucrative rather than honorable, I beg; it will all fall to me when
the gouty old rascal dies."
Ascanio could contain himself no longer.
"Madame!" he exclaimed in a voice of thunder, stepping forward.
He had no time to say more, the count had no time to be astonished, for
the folding doors were thrown open and the whole court flocked in.
Madame d'Etampes roughly seized Ascanio's hand, and drew him aside with
her, as she said in his ear, in a suppressed voice, trembling with
passion,--
"Now do you see, young man, how one becomes a king's plaything, and
whither life sometimes leads us, in our own despite?"
She said no more. Her words were interrupted by the uproarious good
humor and witty sallies of the king and courtiers.
François I. was radiant, for Charles V. was coming. There would be
receptions, fêtes, surprises,--a glorious part for him to play. The
whole world would have its eyes fixed upon Paris and its king. He looked
forward with childish joy to the performance of the drama of which he
held all the threads. It was his nature to look at everything on the
brilliant rather than on the serious side, to aim more at effect than
anything else, and to look upon battles as tournaments, and upon royalty
as an art. With a mind well stored with strange, poetic, adventurous
ideas, François I. made of his reign a theatrical performance, with the
world for play-house.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account