France -- History -- Francis I, 1515-1547 -- Fiction
However, in a moment or two he recovered himself, tossed back the hair
which was falling over his brow, and left the palace with firm and
resolute step. All who were present watched him with something very like
respect as he walked away.
Benvenuto's apparent tranquillity was due to the marvellous power he
possessed over himself, for he was in reality more confused and
desperate than a stag at bay. He wandered through the streets for some
time, heedless as to where he might be, hearing nothing but the buzzing
of the blood in his ears, and vaguely wondering, as one does in
intoxication, whether he was awake or asleep. It was the third time he
had been shown the door within an hour. It was the third time that doors
had been shut in his face,--in his face, Benvenuto's, the favorite of
princes, popes, and kings, before whom all doors were thrown open to
their fullest extent when his footsteps were heard approaching! And yet,
notwithstanding this threefold affront, he had not the right to give way
to his anger; he must dissemble, and hide his humiliation until he had
rescued Colombe and Ascanio. The throng through which he passed,
thoughtless or full of business, seemed to him to read upon his brow the
story of the repeated insults he had undergone. It was perhaps the only
moment in his whole life when his great heart lost faith in itself. But
after ten or fifteen minutes of this aimless, blind wandering, his will
reasserted itself, and he raised his head: his depression left him, and
the fever returned.
"Go to!" he cried aloud, to such a degree did his mind dominate his
body; "go to! in vain do they crowd the man, they cannot throw down the
artist! Come, sculptor, and make them repent of their base deeds when
they admire thy handiwork! Come, Jupiter, and prove that thou art still,
not the king of the gods alone, but the master of mankind!"
As he spoke, Benvenuto, acting upon an impulse stronger than himself,
bent his step toward the Tournelles, that former royal residence, where
the old constable, Anne de Montmorency, still dwelt.
The effervescent artist was required to await his turn for an hour
before he was admitted to the presence of the warrior minister of
François I., who was besieged by a mob of courtiers and petitioners. At
last he was introduced.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account