France -- History -- Francis I, 1515-1547 -- Fiction
"Let us see," he ruminated, as he walked with deliberate step toward the
prison where all his hopes were centred,--"let us see, in order to avoid
any more idiotic mistakes, how matters stand,--no easy task, considering
that the whole business seems to me as tangled as Gervaise's skein when
she gives it to me to hold, and I try to kiss her. Let's begin at the
beginning. Ascanio loved Colombe, the provost's daughter: so far, so
good. As the provost proposed to marry her to Comte d'Orbec, Ascanio
carried her off: very good. Not knowing what to do with the sweet child
when he had abducted her, he hid her in the head of the statue of Mars:
best of all. Faith, it was a wonderfully ingenious hiding place, and
nothing less than a beast--but let us pass over that: I shall find
myself again later. Thereupon it would seem that the provost, acting
upon my information, got his daughter into his clutches once more, and
imprisoned Ascanio. Triple brute that I am! But here is where the skein
begins to be tangled. What interest has the Duchesse d'Etampes in all
this? She detests Colombe, whom everybody else loves. Why? Ah! I know.
I remember certain jocose remarks of the apprentices, Ascanio's
embarrassment when the duchess was mentioned,--Madame d'Etampes has her
eye on Ascanio, and naturally abominates her rival. Jacques, my friend,
you are a miserable wretch, but you are a clever dog all the same. Ah,
yes! but now how does it happen that Ascanio has in his hands the means
of ruining the duchess? Why does the king appear at intervals in the
affair, with one Stefana? Why did Benvenuto constantly invoke Jupiter,
rather a heathenish invocation for a Catholic? Deuce take me if I can
see through all that. But it isn't absolutely necessary that I should
understand. Light is to be found in Ascanio's cell; therefore the most
essential thing is to get myself cast into the cell with him. I will
manage the rest afterward."
As he thus communed with himself he reached his destination, and struck
a violent blow upon the great door of the Châtelet. The wicket opened,
and a harsh voice demanded to know his business: it was the jailer's.
"I wish for a cell in your prison," replied Aubry in a hollow voice.
"A cell!" exclaimed the astonished jailer.
"Yes, a cell: the blackest and deepest; even that will be better than I
deserve."
"Why so?"
"Because I am a great criminal."
"What crime have you committed?"
"Ah! indeed, what crime have I committed?" Jacques asked himself, for he
had not thought of preparing a crime suited to the occasion. As a
fertile, lively imagination was not his most prominent characteristic,
notwithstanding the compliments he had addressed to himself just before,
he repeated, stupidly,--
"What crime?"
"Yes, what crime?"
"Guess," said Jacques. "This fellow ought to know more about crimes than
I do," he added to himself, "so I will let him give me a list, and then
make my selection."
"Have you murdered anybody?" asked the jailer.
Public-domain text, read in full here on John Shaqi.
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