Ashcliffe Hall: A tale of the last centuryHolt, Emily Sarah
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Ashcliffe Hall: A tale of the last century
Holt, Emily Sarah
England -- Social life and customs -- 18th century -- Fiction; Historical fiction; Religious fiction
"Ah! good morning. Early!" was her short greeting to Celia, who bent
down and kissed her.
"Now, my dear," pursued Lady Ingram, "please to sit down on that
chair facing me. I have two or three remarks to make. You shall
have your first lesson in the polishing you need so much."
Celia took the seat indicated with some trepidation, but more
curiosity.
"Very well," said her step-mother. "Now, first, about blushing. You
_must_ get rid of that habit of blushing. There--you are at it now.
Look in the mirror, and see if it does not spoil your complexion. A
woman of the world, Celia, never blushes. It is quite old-fashioned
and obsolete. So much for that."
"But, Madam,"--Celia began, and hesitated.
"Go on, my dear," said Lady Ingram. "You are not putting enough
powder on the left side, Thérèse."
"If you please, Madam, I cannot stop blushing," pleaded Celia, doing
it very much. "It depends upon my feelings."
"Well, it looks as if you could not," answered Lady Ingram, with a
short, hard laugh. "But, my dear, you _must_. And as to feelings,
Celia, a modish woman never has any feelings. Feeling is the one
thing absolutely forbidden by the mode. Laugh as much as you please,
but mind how you feel merry; and as to crying, that is not allowable
except in particular circumstances. It looks well to see a girl weep
for the death of her father or mother, and, within reasonable limits,
for a brother or sister. But if you are ever left a widow, you must
be very careful not to weep for the loss of your husband: that would
stamp you instantly. And it is not _bien séant_ for a mother to cry
much over her children--certainly not unless they are quite babies.
A few tears--just a few--may be very well in that case, if you have a
laced handkerchief at hand. But you must never look astonished, no
matter what happens to you. And, Celia, last night, when the Consul
spoke to you, you absolutely looked perplexed."
"I felt so, Madam," said Celia.
"Is not that just what I am telling you?" replied Lady Ingram, with
that graceful wave of her hands which Celia had seen before. "My
dear, you must not feel. Feeling is the one thing which the mode
cannot permit."
"Pardon me, Madam," answered Celia, looking perplexed now; "but it
seems to me that you are trying to make me into a statue."
"Exactly so, my dear Celia--that is just it. A modish woman is a
piece of live marble: she eats, she drinks, elegantly and in small
quantities--she sleeps, taking care not to lie ungracefully--she
walks, glidingly and smoothly--she converses, but must be careful not
to mean too much--she distributes her smiles at pleasure, but never
shows real interest in any person. My dear, a heart is absolute ruin
to a modish woman! She may do anything she likes but feel. Now look
at me. Have you seen any exhibition of feeling in me since you have
known me?"
Celia felt herself quite safe in acquitting Lady Ingram on that count.
Public-domain text, read in full here on John Shaqi.
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