Ashcliffe Hall: A tale of the last centuryHolt, Emily Sarah
General
Ashcliffe Hall: A tale of the last century
Holt, Emily Sarah
England -- Social life and customs -- 18th century -- Fiction; Historical fiction; Religious fiction
"These are your rooms," she said. "I will give you a new attendant,
for I must have Thérèse to myself now. These will be entirely at
your disposal, within certain restrictions. I shall visit you every
morning, to have your masters' opinions as to your improvement, and
you will take a dish of coffee or chocolate with me in my boudoir at
four o'clock every afternoon. Until you are formed, you must dine
alone, except when I dine entirely _en famille_. Your masters will
attend you in the antechamber every morning. No one must be
permitted to cross the threshold of your boudoir, except myself and
your brothers, your own attendant, or any person sent by me. Do you
dislike that?"
"No, Madam; I am very glad to hear it."
"Ah! my Sister of St. Ursula!" said Lady Ingram, laughing. "But
remember this is only until you are formed, and the sooner that
happens the better pleased I shall be."
"I am anxious to obey your wishes in everything not forbidden by my
conscience, Madam."
"Very well," said Lady Ingram, still laughing. "The conscience
requires a little formation too, _ma belle_, as well as the manners.
Farewell! I will send your attendant."
She sailed away with her usual languid stateliness, and Celia went
forward into the bedroom. She was vainly endeavoring to find an
unlocked drawer in which to place her hood and cloak, when a low,
quiet voice behind her said:
"Here are the keys, Madam. Will you allow me to open them for you?"
Celia looked up into a face which won her confidence at once. Its
owner was a woman of middle height, whose age might be slightly under
sixty. Her dress was of almost Quaker simplicity, and black. Her
hair and eyes were of no particular color, but light rather than
dark; her face wore no expression beyond a placid calm. But Celia
fancied that she saw a peculiar, deep look in the eyes, as if those
now passionless features might have borne an expression of great
suffering once.
"Oh, thank you!" said Celia, simply. "Is it you whom my Lady
promised to send?"
"I am to be your woman, Madam. I am her Ladyship's sewing-woman; my
name is Patient Irvine."
The "lady's woman" of the seventeenth and eighteenth centuries was
the ancestress rather of the modern companion than of the maid. She
was called by her Christian or surname, sewed for her mistress, and
assisted her in dressing; but in every other particular the mistress
and maid were upon equal terms. The "woman" was her lady's constant
companion, and nearly always her _confidante_. She sat at her
mistress's table, went with her into company, and appeared as a
member of her family when she received her friends. As a rule, she
was the equal of her lady in education, and not seldom her superior.
Her inferiority lay in birth and fortune, sometimes in the latter
only.
"And what would you like me to call you?--Patience or Irvine?" asked
Celia of her new acquaintance.
"Patient, if you please, Madam."
"Patient--not Patience?"
Public-domain text, read in full here on John Shaqi.
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