Parent and child -- Fiction; Sardinia (Italy) -- Social life and customs -- Fiction; Unmarried mothers -- Fiction
In the ancient court, under the tall whispering trees, on the broken
stair, in the crumbling _loggia_, in the church itself, which smelt of
damp like a tomb, everywhere there was silence and desolation. Anania
put Aunt Varvara's candle on a dusty altar, then looked at the rude
frescoes on the walls, at the stucco figures gilded with a melancholy
light, at the rough images of Sardinian saints, at everything which once
had moved him to wonder and to terror. He smiled; but languidly and
sadly. He returned to the Court and saw, through an open window, the hat
of a carabiniere and a pair of boots hung on the wall of a cell. In his
memory resounded once more that air from the Gioconda--
"_A te questo rosario_--"
The smell of wax reached him. Where were the children, the companions of
his infancy, the little birds savage and half naked which had animated
the steps of the church? Anania had no wish to see them now, to make
himself known to them; yet how tenderly did he remember the games played
with them beneath these trees while the dead leaves were falling,
falling like the feathers of dying birds.
A barefooted woman with an amphora on her head, passed at the far end of
the court. Anania trembled, for the woman reminded him of his mother.
Where was his mother? Why had he not dared, even though he had wished,
to speak of her to the widow? Why had not the widow alluded to her old,
ungrateful guest? To escape from these questions the young man went next
to the Post Office, and sent a picture card to Margherita. Then he
visited the Rector, and towards evening he walked along the road to the
west, the road which looked down on the immensity of the valleys.
Seeing the Fonni women going to the fountain, straitened in their
strange "_tunics_," he remembered his early love dreams; and how he had
wished himself a herdsman and Margherita a peasant girl, delicate and
graceful, but with the amphora on her head like some Pompeian damsel
made in stucco. And he smiled again contrasting his romantic fancies
with the rough disillusion which had awaited him among the wonders of
the Basilica.
A glory of sunset spread itself over the heaven. It seemed an
apocalyptic vision. The clouds painted a tragic scene: a burning plain,
furrowed by lakes of gold and rivers of purple from whose depths rose
bronze coloured mountains, edged with amber and pearly snow, severed by
flaming apertures which seemed mouths of grottoes, sending up fountains
of gilded blood. A battle of solar giants, of formidable denizens of the
infinite, was in progress among these aerial mountains, in the profound
grottoes of the bronze clouds. From the apertures flashed the gleam of
arms carved in the metal of the sun; the blood poured in torrents,
rolling into the lakes of molten gold, serpentining in rivers which
seemed arrows, inundating the fiery plains of heaven.
Public-domain text, read in full here on John Shaqi.
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