Parent and child -- Fiction; Sardinia (Italy) -- Social life and customs -- Fiction; Unmarried mothers -- Fiction
"Yet if I were to die now," he thought, leaning his forehead on his
hand, "she would never forget me--never!"
Fortunately he arrived quite safe and sound. He saw his dear mountains,
his wild valleys, the whole fair landscape; and the purple countenance
of Nanna who had come to meet him at the station. She had waited for
more than an hour. When she saw the lad's handsome face she opened her
arms and cried:--
"My little son! my little son!"
"How do you do? Here, catch this!" and to protect himself from her
embraces, he tossed into her arms the portmanteau, a parcel, and a
basket.
"Come along!" he cried, "you go out that way. I have to go this way. Go
on!"
He ran and disappeared, leaving the woman stupefied. Ah! Here he was in
the familiar street. _She_ would be waiting at the window, and no
witness, not even Nanna, was wanted for that greeting. But how small
were the houses of Nuoro! and the streets how narrow and empty! All the
better! It's cold too at Nuoro! Spring has come, but it's still pale and
delicate like a child who has been ill. Here are some people coming
towards him, among them Franziscu Carchide. Franziscu recognizes the
young student, begins to make signs of welcome. What a bore!
"Well, how are you? Glad to see you back. How you've grown! Smart too!"
Carchide could not take his eyes off Anania's yellow shoes. The boy was
chafing with annoyance. At last he escaped. On! on! His heart beat
louder and louder. A woman came to her door, looked at him as he ran by,
and said:--
"I declare it's he!"
Well yes, it was he! What business was it of hers? Ah! here, here is the
street which leads to another, to the well known, the beloved street! At
last! It is no dream. Anania hears footsteps and is vexed. Luckily it is
only some children who run, shout, rush away again. And who will there
be in the other street? He longs to run like the children. But he
mustn't, he can't. On the contrary, he assumes an aspect of the greatest
rigidity. He is quite composed. He adjusts his necktie, brushes the
lapels of his coat. He is wearing a long, light overcoat which she has
never seen. Will she know him at once in this coat? Perhaps not. Now he
is in the street. Here is the red door, the white house with the green
window shutters. But she is not there! Oh God, why is she not there!
Public-domain text, read in full here on John Shaqi.
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