Parent and child -- Fiction; Sardinia (Italy) -- Social life and customs -- Fiction; Unmarried mothers -- Fiction
"What are you going to do at the Questura? What's the matter with you?
Have you committed a crime?"
"I want to get someone's address. Come on."
He hurried. His friend followed, curious and a little disturbed. "Who is
the person? Who wants the address? Someone at Nuoro? Is it a mystery?
Speak, you wretch!"
Anania strode on and made no answer.
"Well," said Daga as they arrived at S. Martino, "I'm not your pet dog.
If you won't open your mouth, I'll leave you here."
"I'll tell you afterwards. Wait for me."
Daga waited. A quarter of an hour passed. The young man forgot his
comrade's mysterious business in enjoyment of the grand scene spread out
before him. The rosy haze of incipient twilight filled the air. The
lamps were like pearls in the streets of the immense fan, stretching out
from the Piazza dell' Esquilino. Foot-passengers and carriages passed as
on a huge stage before a limitless background.
"They're all marionettes moved by an invisible thread," thought the
student. "There they go passing, hurrying, disappearing. Each one thinks
himself great, the pivot of the world, with an universe existing for him
alone. While in reality they are all very small. I wonder how many of
them have committed crimes? That swell there with the silk hat? Perhaps
he has poisoned someone. They all have cares. No, not all. It's a lie to
say humanity suffers. The chief part of humanity neither suffers nor
enjoys. All those people going to the Pincio for instance! What can
those people either enjoy or suffer? Is that Anania Atonzu coming back?
Yes, here he is. He also is a marionette. He looks like Punch when he
says 'the die is cast!'"
In his olympian superiority of the moment, Daga smiled more mockingly
than ever.
"Well is the die cast?!" he asked tragically.
"Yes," replied Anania, leaning against the wall. For some minutes he
also gazed at the Piazza where lamps were beginning to replace the
luminous twilight. In the depths of the central street which seemed a
road cut through a forest, Monte Mario could be seen, a distant wall
against a background of reddened silver. Anania, he knew not why,
suddenly remembered that evening when he--a child, had climbed the
Gennargentu and seen a fearful heaven--all red, in which hovered the
ghosts of dead robbers.
And now too, he felt a mystery hovering round him; and the vision of the
city inspired him with fear: the vision of that forest of stone
traversed by shining streets, like rivers of which the waves were the
heart beats of suffering men.
[Footnote 15: Police detective inquiry office.]
III
Public-domain text, read in full here on John Shaqi.
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