Many English lovers of French poetry would have been sorry, though none
could have been surprised, if public opinion in France had been too much
agitated by the stupendous events of the War to spare a thought for one
of the greatest of modern poets on the occasion of his hundredth
birthday. But it was not so; on the eighteenth of October, 1918, when
the fighting had approached its culminating point, and when all the
fortunes of the world seemed hanging in the balance, the serenity of
French criticism found room, between the bulletins of battle, for a word
of reminder that the author of _Poèmes Antiques_ and _Poèmes Barbares_
was born a century before in the tropic island of La Réunion. The
recognition was not very copious, nor was it universally diffused, but
in no circumstances would it have been either the one or the other.
Leconte de Lisle has never been, and will never be, a "popular" writer.
He appeals to a select group, a limited circle, which neither expands
nor contracts. His fame has never been excessive, and it will never
disappear. It is modest, reserved, and durable.
He was commonly described as a Creole. His father, an army
surgeon--exiled by the service to what used to be called the Ile
Bourbon--was a pure Breton. Charles Marie René Leconte de Lisle, after
several excursions to India, which left strong traces on his poetry,
arrived still young in France, and ultimately settled in Paris. Thus he
lived for half a century, in great simplicity and uniformity, surrounded
by adoring friends, but little known to the public. In middle life he
became a librarian at the Luxembourg; as old age was approaching, he
found himself elected to succeed Victor Hugo at the French Academy. If
he was not exactly poor, his means were strictly moderate; and the most
unpleasant event of his whole life was the discovery, at the fall of the
Empire, that, although his opinions were republican, he had been
receiving a pension from the government of Napoleon III. Nothing could
be more ridiculous than the outcry then raised against him; for he was a
poet hidden in the light of thought, and no politician. It was an honour
to any government, and no shame to the austerest poet, that modest
public help should enable a man like Leconte de Lisle to exist without
anxiety. There can hardly be said to have been any other event in this
dignified and blameless career.
Public-domain text, read in full here on John Shaqi.
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