Leconte de Lisle was walking with Æschylus one day, in the ideal fatherland of tragedy, when, while he was conversing with the old hero of Salamis and of Platea, he suddenly observed that his companion was so bald that a tortoise might easily mistake his skull for a polished rock. Not wishing, therefore, to humiliate the titanic genius, and yet not able without regret to give up an ornament the indispensable beauty of which was obvious, he made up his mind to be totally bald in front, while retaining on the back of his head the silken and curly wealth of an Apollonian _chevelure_. It was perhaps in the course of these walks with Æschylus that Leconte de Lisle formed the habit of spelling Clytemnestre "Klytaimnestra." The austerities of his orthography attracted a great deal of attention, and cannot be said to have succeeded in remoulding French or spelling. People continue to write "Cain," although the poet insisted on "Kaïn," and even, in his sternest moments, on "Qaïn." He believed that his text gained picturesqueness, and even exactitude of impression, by those curious archaisms. They are, at least, characteristic of the movement of his mind, and the reader who is offended by them must have come to the reading with a determination to be displeased. His vocabulary is more difficult; and sometimes, it must be confessed, more questionable. He uses, without explanation or introduction, the most extraordinary terms. Ancient Roman emperors are said to have shown their largess by putting real pearls into the dishes which they set before their guests. This was generous; but the guest who broke his tooth upon a gift must have wished that the pearl had been more conventionally bestowed upon him. So the reader of Leconte de Lisle may be excused if he resents the sudden apparition of such strange words as "bobres," "bigaylles," and "pennbaz" in the text of this charming poet.