achieve what they called a "personal vision" of life. In the pursuit of
it they were willing to be candid at the risk of perversity, while they
obstinately denied that there should be any relation between art and
morals. But Remy de Gourmont, who had been their leader in aiming at an
impossible perfection, lived long enough to see the whole intellect and
conscience of France pressing along a path to greatness which he and his
disciples had never perceived in all the excursions of their
imagination.
1916.
THE WRITINGS OF M. CLEMENCEAU
In the year 1893, after a succession of events which are still
remembered with emotion, M. Clemenceau fell from political eminence, not
gradually or by transitions of decay, but with theatrical suddenness
like that of a Lucifer "hurled headlong flaming from the ætherial sky."
His enemies, rewarded beyond their extreme hopes, gazed down into the
abyss and thought that they discerned his "cadavre politique" lying
motionless at the bottom. They rejoiced to believe that he would trouble
them no more. He had passed the age of fifty years, and all his hopes
were broken, all his ambitions shattered. They rubbed their hands
together, and smiled; "we shall hear no more of _him_!" But they did not
know with what manner of man they were dealing. What though the field
was lost? All was not lost:
The unconquerable Will,
And study of revenge, immortal hate,
And courage never to submit or yield;
And what is else not to be overcome?
So brilliant an array of mingled intelligence, pertinacity, vigour, and
high spirits have rarely been seen united, and the possessor of these
qualities was not likely to be silenced by the most formidable junta of
intriguers. As a matter of fact, he turned instantly to a new sphere of
action, and became the man of letters of whom I propose to speak in
these pages. But for his catastrophe in 1893, it is probable that M.
Clemenceau would never have become an author.
Public-domain text, read in full here on John Shaqi.
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