His full and finely modulated voice, with his clear enunciation, greatly
aided his not a little terrified visitor in appreciating his remarks,
but he spoke at great speed, and it strained the attention of a
foreigner to follow his somewhat florid volubility. He expressed himself
highly pleased with the reception his romances had received in England,
but seemed surprised that his dramas were not known. He recommended to
me a new viking-play, called _Sigurd Jorsalfar_, which he had just sent
to press, and which had been refused "though with the loveliest music by
Grieg ever heard out of a dream" by the Royal Theatre in Copenhagen, a
repulse which Björnson flatly attributed to the malignity of the
manager, Molbech. He promised to send me to London a copy of _Sigurd
Jorsalfar_ as soon as it was published, and he was so amiable as to keep
his word.
This little adventure in the headquarters of the opposition was not at
all well regarded in Stor Gade. Accordingly I was taken, as a
counterbalancing influence, to be presented at his country parsonage of
Vest Aker to the old poet and folk-lorist Jörgen Moe (1813-1882). Lökke
and Daae were my companions on this visit to the celebrated collector,
in common with Asbjörnsen, of the so universally admired Norse legends
and fairy-tales. The situation of Vest Aker is magnificent; as we drove
past the little church to the court of the "præstegaard," the whole of
the head-waters of the Christiania Fjord wound and sparkled below us,
golden in the blue circle of the hills. Moe, dressed in clerical black,
with the white ruff round his throat, greeted us delicately. He was a
charming man, with his soft voice and beautiful stag-like eyes; a
perfectly gracious and venerable figure, not incapable, however, of
receiving a mild excitement from the fact that his poems were presently
to be introduced to the English public. Almost immediately after my
visit Jörgen Moe was appointed Bishop of Christianssand. As we came back
from Vest Aker, my guides showed me the grave of the biographer and
bibliographer, Botten-Hansen (1824-1869), and the famous grotto of
Wergeland, once in the country, but, already in 1872, touched by the
outskirts of the city. As we were crossing the streets in the
neighbourhood of the Uranienborg Church, a pale old face appeared for a
moment at an upper window. Daae said this was the house where Johan
Sebastian Welhaven (1807-1873) was being nursed, and he thought that it
was Welhaven we had seen. Lökke did not think it was, so that I shall
never know whether I did, or did not, catch a glimpse of the illustrious
and the dying author of _Norges Dæmring_. My companions were much
amused, and I think gratified, by my eager interest in all these
literary associations.
Public-domain text, read in full here on John Shaqi.
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