All this was completely changed in 1890 when Wolseley was appointed
Commander of the Forces in Ireland. He wrote to announce the fact to me
in July, and said that it was "rather a wrench going," but that he felt
he should like it when he got to Dublin. "A more active, out-of-door
life will be good for me," he opined. It was a great business moving all
the family possessions, for both husband and wife were ardent collectors
of bric-à-brac, and the treasures went by sea. The gallant couple, whose
nostrils snuffed adventure as wild horses do their pasture, thoroughly
enjoyed their position at the beautiful Dublin house, depressingly known
as the Royal Hospital. Wolseley took to getting up at 5.30 every
morning, and no day was long enough for his activities and his
hospitalities. The political crisis was more severe than usual, but
Wolseley cared very little about politics, and his buoyant energy and
boundless good nature made his house the one bright spot in an otherwise
dismal Dublin. That, at least, is how it struck me during an enchanting
visit I paid to the Royal Hospital in the midst of the resistance to
Lord Rosebery's "predominant partner." Wolseley gave up any thought of
periodical literature; when I urged it he said he was "always being
attacked for writing." I do not quite know who can have "attacked" him
or why, but he had other things to attend to.
He was not, however, unoccupied. It was while he was in Ireland that he
composed his _Life of the Duke of Marlborough_, of which he finished two
volumes in the spring of 1893 and published them a year later. The notes
for it had occupied him for many years, he said, "on board ship, in
camp, and often at long intervals of time when on duty abroad and in the
field." He made a tour, as I well remember, to the scenes of Churchill's
childhood, before he left Greenwich in 1890, and his descriptions of Ash
House and the valley of the Axe were jotted down on the spot. The _Life
of Marlborough_ is Wolseley's principal contribution to literature. It
is characteristically written, with that buoyancy and freshness which
were inherent in his nature, but which do not appear so vividly in his
other publications. The account of the Battle of Sedgemoor, which
occupies an entire chapter, is almost a masterpiece; this is Wolseley,
the writer, at his highest level. Unfortunately, this admirable book is,
and will remain, a fragment, and posterity has a prejudice against what
is unfinished. The second volume closes in 1702, when Marlborough's
political intrigues had come to an end and William III. was placing him
at the head of the allied forces in Flanders. This was, of course, the
division of his career, and naturally closed a volume. But the military
fun was only just going to begin, and what everybody wanted from Lord
Wolseley, of all men in the world, was an account of the great
campaigns.
Public-domain text, read in full here on John Shaqi.
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