That Henri IV was a Protestant has led, perhaps, to some injustice being
done to his memory in a Catholic country. But he deserved well of France
in this critical moment. Every necessity of life had become
extravagantly dear, every branch of industry depressed, if not extinct,
when he came to the throne. He set himself to be the guardian of trade,
and of the arts. He rebuilt cities, and a contemporary reported of him
that "no sooner was he master of Paris, than the streets were swarming
with masons." The shrewdness of Henri IV broke down the old
superstition, of which Sully made himself the obstinate spokesman, that
agriculture was the only source of wealth for France. The King persisted
in encouraging the manufactures of silk and linen; in widening the
circle of commercial interests; in teaching Frenchmen to achieve wealth
and honour as architects, painters, sculptors and cabinet-makers. The
prestige of the military nobles grew less and less, that of the
_bourgeoisie_ grew more and more, while between them a new class,
refined, intelligent, a little timid and supple in their professional
adroitness, that _nouvelle aristocratic de robe_, of which M. Lavisse
has spoken, came to the front and gave its tone to the surface of life.
The general trend of the best thought, at the beginning of the
seventeenth century, was towards the polishing of society, left
roughened and rusty by the long wars of religion. But the court of Henri
IV was too coarse, and too little in sympathy with the mental
aspirations of the age, to carry out this design, which needed other
influences than those which could emanate from Marie de Médicis.
Meanwhile, the great importance of the provincial centres had rapidly
declined, and it was Paris that gave the tone to France. This then was
the moment when a peculiarly Parisian centre was needed, independent of
the court, yet in political sympathy with it, a centre of imagination
and intelligence not too austere in its morals, not too pedantic in its
judgments, to include the characteristic minds of the age, whatever
their limitation or peculiarity; and yet definitely, unflinchingly and
for a sufficient length of time, radiating politeness and authority.
Such a Parisian centre must be aristocratic, yet liberal and
intelligent; it must lay down rules of conduct, and contrive to get them
obeyed; it must be recognized and haunted by the first men and women of
the century; it must be actuated in equal proportions by the genius of
discipline, and by that of easy grace and accomplished gallantry. In
short, it must be what Providence astonishingly provided for French
society at that moment of its sorest need, the unparalleled Hôtel de
Rambouillet, with, as its prophetess and châtelaine, one of the most
charming women who have ever occupied the pen of the memoir-maker.
Public-domain text, read in full here on John Shaqi.
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