No such concealment, no such late discovery, has marked the course of
Voiture, whose letters and poems were published by his nephew Pinchesne
in 1650, only two years after the poet's death. In this remarkable
miscellany, which has been incessantly reprinted, and which forms one of
the recognized lesser classics of France, we find ourselves breathing
the very atmosphere of the Hôtel de Rambouillet. It is, indeed, amusing
to reflect that, for fifteen years before her death, the Marquise and
all her circle possessed, and shared with a wide public, this elaborate
body of evidence as to their friendships, their tastes, and their
amusements. In the _Œuvres_ of Voiture, reprinted at least seventeen
times during the lifetime of the Marquise, the world at large was
admitted to the conversations of the Blue Room, and it eagerly responded
to the invitation. There was something about the supple genius of
Voiture, at once daring and discreet, apparently tearing every veil off
an intimacy, and yet in fact wrapping it in an impenetrable gauze of
mystery, which made him the ideal revealer to excite and baffle
curiosity, so that though he tells so much, as he stands at the top of
the stairs of the Hôtel and takes the town into his confidence, yet he
leaves plenty of things untold, to be whispered into the ears of
posterity by Tallemant and Conrart.
The father of Voiture was a shopkeeper who sold wine at the sign of the
Chapeau de Roses at Amiens, and there his son Vincent was born in 1595.
The author of _Alcidalis et Zélide_, was therefore the contemporary of
Herrick and of George Herbert. If the last-mentioned had not rejected
"the painted pleasures of a Court-life" for the retirements of a saint,
he might have been the English Voiture, with his charming gifts and
ingenious graces. The year 1626, which saw Herbert adopt the solemn
vocation of a priest, is probably that in which Voiture, introduced by
Chardebonne, took up his station for the rest of his life, as principal
literary oracle and master of the gaieties in the Hôtel de Rambouillet.
His father was honestly supplying wine to the Queen-Mother, Marie de
Médicis, and there was no question in his son's case, as in that of some
others, of doubtful or partial nobility. Vincent Voiture was frankly and
openly a _bourgeois_, admitted into that strictly guarded aristocracy
because of his abundant talents, his wit, his pleasantness, his
delicious social qualities, and also because it was part of the scheme
of the Marquise de Rambouillet to break down the boredom of the
exclusive privilege of rank for its own sake.
Public-domain text, read in full here on John Shaqi.
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