If even a vestige of decency, or the slightest appreciation of good taste remained, the Jews who control the theaters would see that the American public must eventually gag on such things. When two Jewish comedians who have been indulging in always vulgar and often indecent antics, appear before the drop curtain and sing the Yiddish incantation “Eli, Eli,” which, of course, is incomprehensible to the major part of the audience, the Jewish element always betrays a high pitch of excitement. They understand the game that is being played: the “Gentiles” are being flayed to their face, and they don’t know it; as when a Yiddish comedian pours out shocking invectives on the name of Jesus Christ, and “gets away with it,” the Jewish portion of his audience howling with delight, and the “boob Gentiles” looking serenely on and feeling it to be polite to laugh and applaud too! This Yiddish chant is the rallying cry of race hatred which is being spread abroad by orders of the Jewish leaders. You, if you are a theatergoer, help to pay the expense of getting yourself roundly damned. The Kehillah and the American Jewish Committee which for more than ten years have been driving all mention of Christianity out of public life, under their slogan “This Is Not a Christian Country,” are spreading their own type of Judaism everywhere with insolence unparalleled. “Eli, Eli” is not a religious hymn! It is a racial war cry. In the low cafés of New York, where Bolshevik Jews hang out, “Eli, Eli” is their song. It is the Marseillaise of Jewish solidarity. It has become the fanatical chant of all Jewish Bolshevik clubs; it is constantly heard in Jewish coffee houses and cabarets where emotional Russian and Polish Jews—all enemies to all government—shout the words amid torrential excitement. When you see the hymn in point you are utterly puzzled to understand the excitement it rouses. And this rallying cry has now been obtruded into the midst of the theatrical world. The term “incantation” here used is used advisedly. The term is used by Kurt Schindler, who adapted the Yiddish hymn to American use. And its effect is that of an incantation. In translation it is as follows: “My God, my God, why hast thou forsaken me? With fire and flame they have burnt us, Everywhere they have shamed and derided us Yet none amongst us has dared depart From our Holy Scriptures, from our Law. “My God, my God, why hast thou forsaken me? By day and night I only yearn and pray, Anxiously keeping our Holy Scriptures And praying, Save us, save us once again! For the sake of our fathers and our father’s fathers! “Listen to my prayer and to my lamenting, For only Thou canst help, Thou, God, alone, For it is said, ‘Hear, O Israel, the Lord is Our God, The Lord is One!’”