Aspects of the novelForster, E. M. (Edward Morgan)
History
Aspects of the novel
Forster, E. M. (Edward Morgan)
English fiction -- History and criticism; Fiction -- Technique
A number of rather small gods then should haunt us today--I would call
them fairies if the word were not consecrated to imbecility. (Do you
believe in fairies? No, not under any circumstances.) The stuff of daily
life will be tugged and strained in various directions, the earth will
be given little tilts mischievous or pensive, spot lights will fall on
objects that have no reason to anticipate or welcome them, and tragedy
herself, though not excluded, will have a fortuitous air as if a word
would disarm her. The power of fantasy penetrates into every corner of
the universe, but not into the forces that govern it--the stars that are
the brain of heaven, the army of unalterable law, remain untouched--and
novels of this type have an improvised air, which is the secret of their
force and charm. They may contain solid character-drawing, penetrating
and bitter criticism of conduct and civilization; yet our simile of the
beam of light must remain, and if one god must be invoked specially, let
us call upon Hermes--messenger, thief, and conductor of souls to a not
too terrible hereafter.
You will expect me now to say that a fantastic book asks us to accept
the supernatural. I will say it, but reluctantly, because any statement
as to their subject matter brings these novels into the claws of
critical apparatus, from which it is important that they should be
saved. It is truer of them than of most books that we can only know what
is in them by reading them, and their appeal is specially personal--they
are sideshows inside the main show. So I would rather hedge as much as
possible, and say that they ask us to accept either the supernatural or
its absence.
Public-domain text, read in full here on John Shaqi.
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