Aspects of the novelForster, E. M. (Edward Morgan)
History
Aspects of the novel
Forster, E. M. (Edward Morgan)
English fiction -- History and criticism; Fiction -- Technique
He was driving somewhere in the steppes, where he had been stationed
long ago, and a peasant was driving him in a cart with a pair of horses,
through snow and sleet. Not far off was a village; he could see the
black huts, and half the huts were burned down, there were only the
charred beams sticking up. And as they drove in, there were peasant
women drawn up along the road, a lot of women, a whole row, all thin and
wan, with their faces a sort of brownish colour, especially one at the
edge, a tall bony woman, who looked forty, but might have been only
twenty, with a long thin face. And in her arms was a little baby crying.
And her breasts seemed so dried up that there was not a drop of milk in
them. And the child cried and cried, and held out its little bare arms,
with its little fists blue from cold.
"Why are they crying? Why are they crying?" Mitya asked as they dashed
gaily by.
"It's the babe," answered the driver. "The babe weeping."
And Mitya was struck by his saying, in his peasant way, "the babe," and
he liked the peasant calling it "the babe." There seemed more pity in
it.
"But why is it weeping?" Mitya persisted stupidly. "Why are its little
arms bare? Why don't they wrap it up?"
"Why, they're poor people, burnt out. They've no bread. They're begging
because they've been burnt out."
"No, no," Mitya, as it were, still did not understand. "Tell me, why is
it those poor mothers stand there? Why are people poor? Why is the babe
poor? Why is the steppe barren? Why don't they hug each other and kiss?
Why don't they sing songs of joy? Why are they so dark from black
misery? Why don't they feed the babe?"
And he felt that, though his questions were unreasonable and senseless,
yet he wanted to ask just that, and he had to ask it just in that way.
And he felt that a passion of pity, such as he had never known before,
was rising in his heart, that he wanted to cry, that he wanted to do
something for them all, so that the babe should weep no more, so that
the dark-faced dried-up mother should not weep, that no one should shed
tears again from that moment, and he wanted to do it at once, at once,
regardless of all obstacles, with all the recklessness of the
Karamazovs.... And his heart glowed, and he struggled forward towards
the light, and he longed to live, to go on and on, towards the new
beckoning light, and to hasten, hasten, now, at once!
"What! Where?" he exclaimed, opening his eyes, and sitting up on the
chest, as though he had revived from a swoon, smiling brightly. Nikolay
Parfenovitch was standing over him, suggesting that he should hear the
protocol read aloud and sign it. Mitya guessed that he had been asleep
an hour or more, but he did not hear Nikolay Parfenovitch. He was
suddenly struck by the fact that there was a pillow under his head,
which hadn't been there when he leant back exhausted, on the chest.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account