Aspects of the novelForster, E. M. (Edward Morgan)
History
Aspects of the novel
Forster, E. M. (Edward Morgan)
English fiction -- History and criticism; Fiction -- Technique
_Moby Dick_ is an easy book, as long as we read it as a yarn or an
account of whaling interspersed with snatches of poetry. But as soon as
we catch the song in it, it grows difficult and immensely important.
Narrowed and hardened into words the spiritual theme of _Moby Dick_ is
as follows: a battle against evil conducted too long or in the wrong
way. The White Whale is evil, and Captain Ahab is warped by constant
pursuit until his knight-errantry turns into revenge. These are words--a
symbol for the book if we want one--but they do not carry us much
further than the acceptance of the book as a yarn--perhaps they carry us
backwards, for they may mislead us into harmonizing the incidents, and
so losing their roughness and richness. The idea of a contest we may
retain: all action is a battle, the only happiness is peace. But contest
between what? We get false if we say that it is between good and evil or
between two unreconciled evils. The essential in _Moby Dick_, its
prophetic song, flows athwart the action and the surface morality like
an undercurrent. It lies outside words. Even at the end, when the ship
has gone down with the bird of heaven pinned to its mast, and the empty
coffin, bouncing up from the vortex, has carried Ishmael back to the
world--even then we cannot catch the words of the song. There has been
stress, with intervals: but no explicable solution, certainly no
reaching back into universal pity and love; no "Gentlemen, I've had a
good dream."
The extraordinary nature of the book appears in two of its early
incidents--the sermon about Jonah and the friendship with Queequeg.
The sermon has nothing to do with Christianity. It asks for endurance or
loyalty without hope of reward. The preacher "kneeling in the pulpit's
bows, folded his large brown hands across his chest, uplifted his closed
eyes, and offered a prayer so deeply devout that he seemed kneeling and
praying at the bottom of the sea." Then he works up and up and concludes
on a note of joy that is far more terrifying than a menace.
Delight is to him whose strong arms yet support him when the ship of
this base treacherous world has gone down beneath him. Delight is to him
who gives no quarter in the truth, and kills, burns and destroys all sin
though he pluck it out from under the robes of Senators and Judges.
Delight--top-gallant delight is to him, who acknowledges no law or lord,
but the Lord his God, and is only a patriot to heaven. Delight is to
him, whom all the waves of the billows of the seas of the boisterous mob
can never shake from this sure Keel of the Ages. And eternal delight and
deliciousness will be his, who coming to lay him down, can say with his
final breath--O Father!--chiefly known to me by thy rod--mortal or
immortal, here I die. I have striven to be Thine, more than to be this
world's or mine own. Yet this is nothing: I leave eternity to Thee: for
what is man that he should live out the lifetime of his God?
Public-domain text, read in full here on John Shaqi.
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