Aspects of the novelForster, E. M. (Edward Morgan)
History
Aspects of the novel
Forster, E. M. (Edward Morgan)
English fiction -- History and criticism; Fiction -- Technique
When he lands in England (and a landing is an exalted and enduring
experience for James, it is as vital as Newgate for Defoe; poetry and
life crowd round a landing): when Strether lands, though it is only old
England, he begins to have doubts of his mission, which increase when he
gets to Paris. For Chad Newsome, far from going to the bad, has
improved; he is distinguished, he is so sure of himself that he can be
kind and cordial to the man who has orders to fetch him away; his
friends are exquisite, and as for "women in the case" whom his mother
anticipated, there is no sign of them whatever. It is Paris that has
enlarged and redeemed him--and how well Strether himself understands
this!
His greatest uneasiness seemed to peep at him out of the possible
impression that almost any acceptance of Paris might give one's
authority away. It hung before him this morning, the vast bright
Babylon, like some huge iridescent object, a jewel brilliant and hard,
in which parts were not to be discriminated nor differences comfortably
marked. It twinkled and trembled and melted together; and what seemed
all surface one moment seemed all depth the next. It was a place of
which, unmistakably, Chad was fond; wherefore, if he, Strether, should
like it too much, what on earth, with such a bond, would become of
either of them?
Thus, exquisitely and firmly, James sets his atmosphere--Paris
irradiates the book from end to end, it is an actor though always
unembodied, it is a scale by which human sensibility can be measured,
and when we have finished the novel and allow its incidents to blur that
we may see the pattern plainer, it is Paris that gleams at the centre of
the hour-glass shape--Paris--nothing so crude as good or evil. Strether
sees this soon, and sees that Chad realizes it better than he himself
can; and when he has reached this stage of initiation the novel takes a
turn: there is, after all, a woman in the case; behind Paris,
interpreting it for Chad, is the adorable and exalted figure of Mme. de
Vionnet. It is now impossible for Strether to proceed. All that is noble
and refined in life concentrates in Mme. de Vionnet and is reinforced by
her pathos. She asks him not to take Chad away. He promises--without
reluctance, for his own heart has already shown him as much--and he
remains in Paris not to fight it but to fight for it.
For the second batch of ambassadors now arrives from the New World. Mrs.
Newsome, incensed and puzzled by the unseemly delay, has despatched
Chad's sister, his brother-in-law, and Mamie, the girl whom he is
supposed to marry. The novel now becomes, within its ordained limits,
most amusing. There is a superb set-to between Chad's sister and Mme. de
Vionnet, while as for Mamie--here is disastrous Mamie, seen as we see
all things, through Strether's eyes.
Public-domain text, read in full here on John Shaqi.
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