Asphodel : $b a novelBraddon, M. E. (Mary Elizabeth)
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Asphodel : $b a novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
After the two girls had taken off their hats in the state bed-chamber
next the drawing-room—a room whose walls were panelled with needlework
executed by an ancestress of Edgar’s in the reign of Charles the
First—they all went off to explore the house; ascending a steep
secret stair which they entered from a door in the panelling of the
dining-room; exploring long slippery corridors and queer little
rooms that opened mysteriously out of other rooms; and triangular
dressing-closets squeezed into a corner between a chimney and an
outer-wall; laughing at the old furniture: the tall toppling four-post
bed-steads; the sage-green tapestry; the capacious old grates, or still
older brazen dogs; the inimitable Dutch tiles.
‘It must be heavenly to live in such a funny old house,’ cried Daphne,
as they came cautiously down the black oak staircase, slippery as
glass, pausing to admire a ramshackle collection of Indian curios and
Japanese pottery on the broad window-ledge half-way down.
‘If you would only try it,’ murmured Edgar close in her ear, and
looking ineffably sheepish as he spoke.
Again the all-significant words fell unheeded. She skipped lightly down
the remaining stairs, protesting she could get accustomed to them in no
time.
‘“So light a foot will ne’er wear out the everlasting flint,”’ said
Gerald.
‘Didn’t I tell you so? You can’t live without quoting him,’ cried
Daphne triumphantly.
The dinner went off merrily. It was a capital dinner in a good old
English style, ponderous but excellent. There were none of those
refinements which distinguished the board over which Mrs. Ferrers
presided. The attempts at elegance smacked of a banished era. A
turbot decorated with sliced lemon and barberries; a befrilled
haunch, exhibiting its noble proportions in a heavy silver dish; a
superabundance of creams and jellies and trifles and syllabubs; an
elaborate dessert lying in state on the sideboard, to be slowly and
laboriously transferred to the polished oak after the cloth was drawn;
and the coachman to help wait at table. The whole thing was rustic and
old-fashioned, and Edgar was afraid Daphne was secretly turning it all
into ridicule. Yet she seemed happy, and she said so much in praise of
Hawksyard and of the perfect order in which the house was kept, that
Mrs. Turchill’s heart began to soften towards her.
‘You seem fond of the country, and of countrified ways, Miss Daphne,’
said the matron relentingly. ‘Yet I should have thought a young lady
like you would have been pining for London, and balls and theatres.’
‘I never was at a dance in my life,’ answered Daphne, ‘and only once at
a theatre, and that was the great opera-house in Paris. I don’t think I
should ever care to go to a meaner theatre. My thoughts went up so high
that night, I shouldn’t like to let them down again by seeing trumpery.’
Public-domain text, read in full here on John Shaqi.
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