Asphodel : $b a novelBraddon, M. E. (Mary Elizabeth)
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Asphodel : $b a novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
‘I have seen him, at least,’ exclaimed Daphne, clasping her hands;
‘that is something. Far, far away, like a glimpse of another world: but
still I have seen him. Shall we see him again to-morrow, do you think,
on the way to Interlaken?’
‘I’m afraid not. To-morrow I shall have the honour to introduce you to
the Jungfrau.’
‘I don t care a straw for her,’ exclaimed Daphne contemptuously.
‘What, not for Manfred’s mountain? Can you, who have so devoured your
Byron, be indifferent to the background of that gloomy individual’s
existence?’
‘There is an interest in that, certainly; but Mont Blanc is my
beau-ideal of a mountain.’
Here the carriage was announced. The two girls put on their hats and
wraps, soft China crape and gray camel’s-hair shawls, and hurried down
to the hall. The rain was still falling, the thunder still grumbling
amidst distant hills. They crowded into the fly, and were jolted over
stony and uneven ways to the cathedral.
They went in at a narrow little door to a great dark church, with
solitary lamps dotted about here and there in the gloom. Everything had
a mysterious look; the richly-carved oak, the shrines, the chapels, the
shrouded altar far away at the end.
There were, perhaps, a hundred people sitting about in high narrow pews
with massive carved oak seats, sitting here and there in a scattered
way, all wrapped in shadow and gloom, silent, overawed, expectant.
Madoline and Daphne walked side by side up the long nave, between two
lines of oaken seats, the two men following; then midway between the
organ and the altar, they went into one of the pews—Lina first, then
Daphne. She had been sitting there a minute or so looking about the dim
dark church before she discovered that it was Gerald, and not Edgar,
who sat by her side. Edgar had taken the seat behind them.
They sat there for five or ten minutes, hushed and listening; the rain
splashing on the roof, the distant thunder reverberating; nothing to
be seen in the vast building but those yellow lamps gleaming here and
there, and patching with faint light an isolated statue, or a pulpit,
or a clustered column.
At last, when the silence, broken only by faintest whisperings among
the expectant audience, had endured for what seemed a weary while,
the organ pealed forth in a grand burst of sound, which swept along
the arched roof, and filled the church with music. Then after that
crash of mighty chords came tenderest phrases, a flowing melody that
sank low as a whisper, and then that strain of almost supernatural
likeness to the human voice rose up above the legato arpeggios of the
accompaniment, and thrilled every ear—tender, angelic, a divine whisper
of love and melancholy. Daphne had risen from her seat, and stood with
her arms resting upon the massive woodwork in front of her, gazing up
through the darkness towards that glimmering spot of light yonder,
near the arch of the roof, which showed where the organ was, far away,
mysterious.
Public-domain text, read in full here on John Shaqi.
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