Asphodel : $b a novelBraddon, M. E. (Mary Elizabeth)
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Asphodel : $b a novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
They were standing thus, as if bound by a spell, when a heavy waggon
came creeping slowly along the bridge, making the spot on which they
stood tremble and sway under their feet.
‘We are hanging by a thread between time and eternity,’ said Gerald,
drawing closer to her. ‘What if the thread were to snap, and drop us,
hand in hand, into the black gulf of death?’
She did not shudder at the thought, but turned and looked at him in the
moonlight, with a strange sad smile.
‘Would you be glad?’ he asked softly.
‘Yes,’ she answered, between a sigh and a whisper, still looking up
at him with that pathetic smile; and his eyes looked fondly down into
hers, losing themselves in the depth of a fathomless mystery.
‘Do you know that this bridge is the second longest in the world,
three hundred yards long, and a hundred and sixty-eight feet above
the river?’ asked Edgar Turchill’s matter-of-fact tones, as he walked
towards them, cheerful, contented, pleased with himself and all the
world.
‘For God’s sake spare us a gush of second-hand Baedeker,’ cried Gerald
with intense irritation. ‘As if any living soul, except a Cook’s
tourist, could care how many feet or how many yards long a bridge is.
It is the effect one values, the general idea that one is on that very
bridge of Al Sirât, laid over the midst of hell, and finer than a
hair, and sharper than the edge of a sword, over which the righteous
must pass to Mahomet’s paradise. It is the notion of man’s audacity in
making perilous ways that is really delightful. When that waggon went
across just now, I thought the last straw was being laid, and we were
all going.’
Edgar came round to Daphne with a calm air of proprietorship which made
her shudder.
‘What an interesting evening we have had!’ he said.
‘Very.’
‘You look pale and tired. Has it all been too much for you?’ he asked
tenderly.
‘I think that organ would be too much for anyone.’
‘Do you know—I am no judge, and you mustn’t laugh at me for expressing
an opinion—I hardly thought it equal, as an organ, to the one at St.
Paul’s. I took my mother there once when all the charity children were
assembled. I can’t tell you what a grand sight it was, the dome crowded
with their fresh young faces.’
‘Oh, for pity’s sake don’t talk about it,’ cried Daphne, almost
hysterically. ‘To compare that dark solemn cathedral, with just a few
people dotted about among the shadows, and the thunder pealing over the
roof—to compare such a scene with that pagan St. Paul’s, and the dome
crowded with rosy-cheeked children, all white caps and pinafores and
yellow worsted stockings!’
‘I was talking of the organ,’ replied Edgar, somewhat offended.
‘Then why introduce the charity children? Oh, please let my thoughts
dwell upon that dark church to-night; let me remember the music, the
darkness.’
‘Daphne, dearest one, you are crying,’ exclaimed Edgar, startled at the
sound of a stifled sob.
‘Who would not cry at such music?’
Public-domain text, read in full here on John Shaqi.
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