Kepler thought the corona was evidence of a lunar atmosphere; indeed, it was not until the middle of the 19th century that its lack of relation to the moon was finally demonstrated. Later observers, Wyberd in 1652 and Ulloa, got the impression that the corona turned round the disk catherine-wheel fashion, "like an ignited wheel in fireworks, turning on its center." But no later observer has reported anything of the sort. Quite the contrary, there it stands against the black sky in motionless magnificence a colorless pearly mass of wisps and streamers for the most part nebulous and ill-defined, fading out very irregularly into the black sky beyond, but with a complex interlacing of filaments, sometimes very sharply defined near the solar poles. It defies the skill of artist and draughtsman to sketch it before it is gone. Photograph it? Yes, but there are troubles. Of course the camera work is superior to sketches by hand. As Langley used to say, "The camera has no nerves, and what it sets down we may rely on." Foremost among the photographic difficulties is the wide variation in intensity of the coronal light in different regions of the corona. If a plate is exposed long enough to get the outer corona, the exceeding brightness of the inner corona overexposes and burns out that part of the plate or film. If the exposure is short, we get certain regions of the inner corona excellently, but the outer regions are a blank because they can be caught only by a long exposure. So the only way is to take a series of pictures with a wide range of exposures, and then by careful and artistic handwork, combine them all into a single drawing. Wesley of London has succeeded eminently in work of this character, and his drawings of the sun's corona, visible at total eclipses from 1871 onward, in possession of the Royal Astronomical Society, are the finest in existence. They give a vastly better idea of the corona, as the eye sees it, than any single photograph possibly can. The early observers apparently never thought of the corona as being connected with the sun. It was a halo merely, and so drawn. Its real structure was neither known, depicted, or investigated. Sketches were structureless, as any aureola formed by stray sunlight grazing the moon might naturally be. That the rays are curved and far from radial round the sun was shown for the first time in the sketches of 1842, and in 1860 Sir Francis Galton observed that the long arms or streamers "do not radiate strictly from the center."