Astronomy with an Opera-glass: A Popular Introduction to the Study of the Starry Heavens with the Simplest of Optical InstrumentsServiss, Garrett Putman
Science
Astronomy with an Opera-glass: A Popular Introduction to the Study of the Starry Heavens with the Simplest of Optical Instruments
Serviss, Garrett Putman
Astronomy
With these constellations we finish our review of the stellar wonders
that lie within the reach of so humble an instrument as an opera-or
field-glass. We have made the circuit of the sky, and the hosts that
illumine the vernal heavens are now seen advancing from the east, and
pressing close upon the brighter squadrons of winter. Their familiar
figures resemble the faces of old friends whom we are glad to welcome.
These starry acquaintances never grow wearisome. Their interest for us
is as fathomless as the deeps of space in which they shine. The man
never yet lived whose mind could comprehend the full meaning of the
wondrous messages that they flash to us upon the wings of light. As we
watch them in their courses, the true music of the spheres comes to our
listening ears, the chorus of creation--faint with distance, for it is
by slow approaches that man draws near to it--chanting the grandest of
epics, the Poem of the Universe; and the theme that runs through it all
is the reign of law. Do not be afraid to become a star-gazer. The human
mind can find no higher exercise. He who studies the stars will
discover--
"An endless fountain of immortal drink
Pouring unto us from heaven's brink."
CHAPTER V.
THE MOON, THE PLANETS, AND THE SUN.
"It is a most beautiful and delightful sight," exclaims Galileo, in
describing the discoveries he had made with his telescope, "to behold
the body of the moon, which is distant from us nearly sixty
semi-diameters of the earth, as near as if it was at a distance of only
two of the same measures.... And, consequently, any one may know with
the certainty that is due to the use of our senses that the moon
assuredly does not possess a smooth and polished surface, but one rough
and uneven, and, just like the face of the earth itself, is everywhere
full of vast protuberances, deep chasms, and sinuosities."
There was, perhaps, nothing in the long series of discoveries with which
Galileo astonished the world after he had constructed his telescope,
which, as he expresses it, "was devised by me through God's grace first
enlightening my mind," that had a greater charm for him than his lunar
observations. Certainly there was nothing which he has described with
greater enthusiasm and eloquence. And this could hardly have been
otherwise, for the moon was the first celestial object to which Galileo
turned his telescope, and then for the first time human eyes may be said
to have actually looked into another world than the earth, though his
discoveries and those of his successors have not realized all the poetic
fancies about the moon contained in the verses that are ascribed to
Orpheus:
"And he another wandering world has made
Which gods Selene name, and men the moon.
It mountains, cities has, and temples grand."
Public-domain text, read in full here on John Shaqi.
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