At home in FijiGordon Cumming, C. F. (Constance Frederica)
History
At home in Fiji
Gordon Cumming, C. F. (Constance Frederica)
Fiji; Folklore -- Fiji
In one very odd dance, a queer, fluttering creature, with a huge fan in
each hand to represent wings, kept dancing round and round a covey of
cowering children, whom he bowled over, two at a time. Then, as they lay
prone, he fanned them to life again, and so drove them along to join the
orchestra. This is supposed to be a bird of prey providing for her young,
and of a species unknown in Fiji!
Somewhat similar is a dance in which half the men are armed with spears,
the other half carry large fans of palm-leaf, or of native cloth
stretched on a wooden frame, and adorned with blue and white streamers.
At the end of each movement every dancer holds his fan high above his
head with simultaneous action, uttering a wild, high-pitched war-cry.
After an intricate dance, in which extraordinary feats of agility are
displayed, these two companies form into separate lines and have a sham
fight. Again and again the whole regiment of spearmen fall flat on the
ground, as if all slain simultaneously, and the others, bending over
them, fan them assiduously till life is restored, and they once more
spring to their feet. This is a particularly pretty dance: no carefully
studied ballet could be more effective.
Another, which is particularly characteristic, is a club-dance, in
which half the men present are armed with war-clubs of very varied and
curious forms, while the others carry long and beautifully carved spears.
Sometimes each man carries a spear in one hand and a club in the other;
and often, I regret to say, a number of common muskets replace the old
clubs, and look strangely out of keeping with the barbaric surroundings.
On festivals such as these, many of the clubs are as carefully decorated
as their owners. Coloured strips of _pandanus_ leaf or fibre-plaiting
are wound around them, adorned with fringe-like tufts; some are rather
coarsely touched up with scarlet or blue paint, which happily soon rubs
off. These war-parties always advance slowly, attitudinising and swinging
from side to side. Gradually they become more animated, brandish their
spears and clubs, go through all manner of evolutions, keeping such
perfect time that each line of warriors seems to move like one man—every
hand and foot moving in unison. The speed and action go on increasing
till each individual dancer seems to be performing the closing movements
of a Highland fling or a sailor’s hornpipe, but with far more varied
postures. At some of the larger gatherings, from two to three hundred
dancers will join in the _méké_, and as they are generally the picked men
of the district, the scene is the more effective. In every dance there is
a leader, who by word and example regulates the time for every change in
the figures. This post of honour is often awarded to a very small boy,
son of the chief; and you cannot think how pretty it is to see all these
splendid fellows moving like clock-work in obedience to the slightest
Public-domain text, read in full here on John Shaqi.
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