How far one drifts in thought away from the sweet scene which grows
sweeter every hour. The heat of the day is over now; the breeze curls
on the stream, the shadow of the tower falls far across the water. My
companion rises and smiles, thinking me lost in indolent content; he
hardly guesses how far I have been voyaging
"On strange seas of thought alone."
Does he guess that as I look back over my life, pain has so far
preponderated over happiness that I would not, if I could, live it
again, and that I would not in truth, if I could choose, have lived it
at all? And yet, even so, I recognise that I am glad not to have the
choice, for it would be made in an indolent and timid spirit, and I do
indeed believe that the end is not yet, and that the hour will assuredly
come when I shall rejoice to have lived, and see the meaning even of my
fears.
And then we retrace our way, and like the Lady of Shalott step down into
the boat, to glide along the darkling water-way in the westering light.
Why cannot I speak to my friend of such dark things as these? It would
be better perhaps if I could, and yet no hand can help us to bear our
own burden.
But the dusk comes slowly on, merging reed and pasture and gliding
stream in one indistinguishable shade; the trees stand out black against
the sunset, thickening to an emerald green. A star comes out over the
dark hill, the lights begin to peep out in the windows of the clustering
town as we draw nearer. As we glide beneath the dark houses, with their
gables and chimneys dark against the glowing sky, how everything that
is dull and trivial and homely is blotted out by the twilight, leaving
nothing but a sense of romantic beauty of mysterious peace! The little
town becomes an enchanted city full of heroic folk; the figure that
leans silently over the bridge to see us pass, to what high-hearted
business is he vowed, burgher or angel? A spell is woven of shadow and
falling light, and of chimes floating over meadow and stream. Yet
this sense of something remotely and unutterably beautiful, this
transfiguration of life, is as real and vital an experience as the
daily, dreary toil, and to be welcomed as such. Nay, more! it is better,
because it gives one a deepened sense of value, of significance, of
eternal greatness, to which we must cling as firmly as we may, because
it is there that the final secret lies; not in the poor struggles, the
anxious delays, which are but the incidents of the voyage, and not the
serene life of haven and home.
XV. SYMBOLS
Public-domain text, read in full here on John Shaqi.
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