“But for all that Ridgeley is a lonely, desolate place to me,” said Mrs.
Sutton, one early spring morning to her niece and crony, Mrs. William
Sutton. “A house without children is worse than a last year's bird's
nest. It is a riddle to me how Clara Aylett contrives to occupy her
time.”
“She should have some of these socks to darn, if it hangs upon her
hands,” replied Mrs. William, humorously, running her five fingers
through the toe of one she had just picked up from the great willow
basket set between the two upon the porch-floor.
“The Lord isn't very apt to make mothers out of that sort of material,”
said the elder lady. “Nor fathers out of Winston Ayletts. They are so
wrapped up in their self-consequence as to have no thought for others.”
“Yet they say Mr. Aylett regrets that he has no heir. It is a great pity
Mabel lost her only child as she did. The family will become extinct in
another generation. It is such a noble estate, too!”
“Large families were never the rule among the Ayletts,” responded Aunt
Rachel. “But I did hope my dear Mabel would be an exception to the rest
in this respect. She would adopt a little girl, but her husband will not
consent. Those Dorrances are a cold-hearted race. He, too, is heaping up
riches, without knowing who shall gather them. Heigh-ho!”
Her darning-needle quilted the yawning heel of Tommy Sutton's sock with
precision and celerity, and she ruminated silently upon the vicissitudes
and failures of mortal life until she was interrupted by Mrs. William's
exclamation:
“There is Mrs. Tazewell's carriage at the gate, and the driver has a
letter in his hand. I hope the old lady is not worse!”
Aunt Rachel met the man at the steps, with neighborly anxiety.
“How is your mistress, Jack?”
“'Bout the same, ma'am. But Miss Rosa--she came last night very
unexpected, and it kinder worsted Mistis to see her so poorly. This note
is from Miss Rosa, ma'am, and I am to take back an answer.”
Mrs. Sutton read it standing in the porch--the scented leaflet that had
a look of the writer all over it, from the scarlet monogram at the
top of the sheet and upon the envelope, to the flourish of the
signature--“Rosa T. C.”--the curl of the C carried around the rest like
a medallion frame:
Public-domain text, read in full here on John Shaqi.
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