I could hear Jim, after she was through, remark to the old lady by his side, that such songs were likely to lead to the perversion of youth, and should not be sung except to those who had reached the age of discretion; by which I suppose he meant himself and the old lady, though she was old enough to be his grandmother. Jim's censorious remarks were, however, more than offset by Harry, who, at the other end of our line, applauded so vociferously that Annette rewarded him with a direct and beaming smile when she made her last bow. Then followed "Leslie and Manning, Knock-about Grotesques," "Cora, the Queen of the Slack Wire," and "Sam Berne, the Dutch Monarch;" the last of whom first convulsed us by asking Tom, in a sepulchral whisper, to "Please wake your friend," pointing to Paddy, who was indeed asleep; and then had a very funny dialogue with the piano-pounder, in which they both pretended to get in a towering passion over the question as to whether the singing or the accompaniment was the worse. The delights of the play-bill were now well-nigh exhausted, the next to the last on the list being "Alice Wentworth, America's Most Dashing Soubrette." She appeared to the tune of some gay waltz notes from the long-suffering piano. Alice was a slender girl, with brown hair and large, dark eyes. I doubt she could ever have been "dashing," though pretty she certainly had been. There were also signs that "once she had seen better days," as the old song goes. But now, despite the assistance of paint and padding, it was evident that sickness or dissipation had robbed her of most of the attractions she had once possessed. Her face was too thin for the bright color on her cheeks, her steps were too listless for the generously filled stockings, and she coughed several times before she began her song. It was a jolly little thing, sung in good time and tune, and with those touches which indicate unmistakably the rudiments, at least, of a musical education. The song was well received, but at the end of the verse she had a dance, which called for considerable exertion, and was very trying for her. She got through the first two verses all right, but when she started the third her strength was gone; she broke down, and gasped for breath. The piano continued for a few notes, then stopped, and there was a dead silence. It was a pitiful sight enough: the poor girl trying to get strength enough to continue, coughing and gasping painfully; but some one in the orchestra back of us hissed, there was a cry from the gallery of "Take her off," and then a chorus of yells and cat-calls. It was the same old wolf instinct which makes the pack tear to pieces the wounded straggler,--the wolf instinct in some way transmitted to man.